Friday, 6 September 2013

Who scored a Highly Commended and an agent this summer?


What a fabulous summer it's been for Scoobies.... This week, we're toasting the double achievement of Helen Dineen, who won a Highly Commended at the Winchester Writers' Conference and is now celebrating signing with the Anne Clark Literary Agency.








@aitcheldee
Southampton-based SCBWI member Helen Dineen has been concentrating on writing picture books, inspired by her two children and dog. She was awarded Highly Commended in Writing for Children aged 4-7 at this year's Winchester Writers' Conference, just before she received the offer from Anne Clark. 

“I am thrilled to be working with Anne, and am very pleased that she has so much confidence in my work as a new writer,” says Helen. She adds, “I joined SCBWI in early 2013, and have learned a great deal from the online resources like Word & Pictures and the Yahoo group (although I admit to being a skulker and not posting a comment myself yet!) And I was very lucky to join just before the Southampton goal-setting meet ups were started by Jan Carr. One of the main benefits I have had from my SCBWI membership is this chance to meet with other writers and illustrators every month to cheer each other on - or up if needed!” 


"... she establishes appealing characters and tells a satisfying story in a few hundred words."

Anne Clark says: "I'm so pleased to be representing Helen Dineen. I was immediately drawn to the combination of warmth and wit in her picture book texts, and the way she establishes appealing characters and tells a satisfying story in a few hundred words. Helen's presence as a blogger about children's apps is a significant bonus. I'm really looking forward to working with her!"

After such a exciting summer, Helen is looking forward to seeing what the rest of 2013 might bring! So let's say a big Hurrah! to Helen and wish her every success!




Tania Tay is an ex-advertising copywriter and has been published in Sable LitMag. She is writing MG and YA fiction, and is on the editorial team at Words & Pictures.

Summer Lovin’ - NW Speed Dating for Writers


At the beginning of our lovely summer the North West led the way with this great opportunity for northern writers. George Kirk reports.

On Saturday 13th of June it seemed like the whole of the North West region had turned out to meet at the ‘Speed Dating for Writers’ professional series event at City Library, Manchester.


Confectionery provided
by the talented Samantha Williams

Not only did we have the walking wounded present but also our youngest ever delegate. And why wouldn’t we be there? After all it was the hottest day of the summer so far, we all had loads to chat about and there was a mountain of delightful cake awaiting us, what else could we need?


 Carmel and Karen                             our youngest delegate.
Have I forgotten something?

Oh yes, our wonderful dates for the day, who had just arrived remarkably fresh faced from the train despite the heat their early starts!

Liz Bonsor
Liz is an agent at The Blair Partnership which is now coming to the end of its second year. It is an agency with an exciting bespoke approach to its clients, seeking to provide exactly what each individual author needs. It has an in house team of not only agents but also foreign rights specialists, lawyers and digital media experts. They currently have a client list of around 20 authors (and I can’t help but mention a certain author with the initials J. K.) and are actively looking to extend this further. Liz is looking for anything that ‘blows her away’.

Philippa Donovan
Philippa has worked as an agent, a literary scout and most recently as commissioning editor at Egmont. She is currently focusing all her editorial talents into her own literary consultancy Smart Quill. Smart Quill provides a personal consultancy service to authors who feel they need for some professional advice and support. Unlike other companies it focuses on the personal, there are no readers involved, you pay for Philippa’s time and experience. She assesses each individual author and develops both them and their manuscript. If she feels their work is ready she will offer to put them through her agent recommendation service.

Gemma Cooper
After a very successful year at The Bright Agency, Gemma joined the the transAtlantic Bent Agency  . She represents all children’s books but has a special passion for 7+ and MG and is possibly best know for representing SCBWIs very own Mo O’Hara and a certain fishy friend. She would love to find a really strong boy’s voice, be that in a 7+ funny series or a 9+ ‘Goonies’ style adventure. She’s also a romantic at heart and so is yearning for a beautiful contemporary romance. Wish list aside, she never says never, so if you have a story that grabs her, she’ll put all her energies into representing you.


Liz Bonsor, Philippa Donovan and Gemma Cooper’

After the cake and getting to know you session it was straight into Q and A which covered a range of areas that included... 

Are publishers keeping away form issue type books for YA?
No not at all, especially if there is a good story at the heart of them. Books are the safest place for young people to explore the whole range of issues life can throw at them. Just make sure you have a strong, compelling voice and imagine the person you want to be your audience as you write.

Are publishers beginning to create picture books for older readers?
Yes, there is definite gap in the market and upcoming books like ‘Squishy McFluff’ have a longer text and are aimed at older readers. Educational publishers such as Franklin Watts and Hodder are already producing books like this but for other publishers they are taking their first few steps into this area and may be more attracted to author illustrators.

Do you expect authors to have built their own internet platform when they submit to you?
Not necessarily, your story is far more important that your platform No one ever lost a deal because of their lack of internet presence, but you won’t get close to one if you lack a story! Most agencies are also very happy to help guide their authors through this area at a level they are comfortable with.

So now everyone had got to know each other the speed dating could commence. 

Timed appointments

It was an incredibly busy afternoon of strict 10 minutes appointments, combined with a game of musical rooms as we tried to dodge the heat. There was a convivial atmosphere as people chatted and ate more cake as they waited their turn. Many turned to creative pass times.

 Creative use of time
Gone but not forgotten
Everyone came away from their ‘date’ with a warm glow and saying the same thing. It had been incredibly useful, both encouraging but also giving them plenty of things to go home and think about.

As the last appointments came to an end nearly 4 hours since the beginning of the event our now rather tired speakers echoed our feelings. What a lovely, friendly event it had been, and how much they enjoyed it. So thank you to organisers, speakers and delegates for making it a great afternoon.


I have my fingers crossed that maybe it will lead to a second date for someone out there.



George Kirk
@GeorgeKirk2
George wrote as soon as she could hold a pencil but never anything factual.  She teaches at a primary school in East Lancashire and finds the relationships and diversity within the White British, Bengali and Pakistani community it serves, truly inspirational. George has been published in A Pocketful of Moondust and in 2011, her picture book text 'Once Upon a Princess...' went on to win a national award. She is now developing two series - a respectable snot fantasy for 7-9 year olds and a culturally diverse fantasy for 9-11.

Thursday, 5 September 2013

SCBWI Member Juried Exhibition

It's exhibition time! As the call goes out for entries to this year's selection, Anne-Marie Perks, Illustration Coordinator for the SCBWI British Isles Chapter, presents a short history of our print showcase exhibition.



Here we are again, the time of year where we’ve sent out a call for entries for our 2013 SCBWI Juried Members Showcase Exhibition. Three years on, the exhibition is growing to include more tour venues every year. 2013 venues were: Foyles Bookstore Cafe in London, Southampton Library and Norwich Millennium Library. The following article is a brief look into this growing exhibitions history.

Too Small for my Big Bed, Illustration by Layn Marlow

One of the things I really wanted to do not long after accepting the role of Regional Illustrator Coordinator in 2001 for SCBWI BI, was to organise a juried member exhibition. At the time, there were no other regions that had organised one. Though as you may have guessed by now - if you’ve been an illustrator member any length of time at all - we always look for opportunities to get our work seen. I wasn’t coming at this with no experience at all having worked on organising and hanging solo and group exhibitions in a museum in California for three years before moving to the UK. What held me back was thinking too big to just get us off the ground. Never mind that there were plenty of things to get going for illustrators in SCBWI BI to start with. This is where John Shelley stepped in. As ARA in Japan, John had helped set up exhibitions in Tokyo and had collaborated with one in France with Bridget Strevens-Marzo, International Illustrator Coordinator at the time. John had just moved back to the UK and was ready to help.

Our first juried member exhibition at the 2010 two day conference, John Shelley, far right.

By 2010, other regions had successfully organised juried member exhibitions, showing both fine art prints and original work. John suggested doing something we could handle to get us going; an A4 print juried show that will be highlighted at our annual conference for writers and illustrators. So, our first call for entries went out. The following images are a few of the twenty successful prints that made it into our first exhibition hung in the same room as the Open Portfolio Display at the conference.

From left to right, illustrations by Julia Woolf and Layn Marlow.


From left to right, illustrations by Mike Brownlow and Trish Phillips.

Though we had great plans that this exhibition would tour, it didn’t happen then. It would be our juried exhibition in 2011 that would find it’s first tour venue at Southampton Library thanks to Jan Carr. At this point, our prints were still being hung in inexpensive clip frames. This kept the exhibition easy to deliver, fitting into two shopping bags!

2012, 2013 brought more exhibition venue opportunities. We had already expanded our acceptance number to 21 prints in 2011. The juried exhibition was still being shown in the inexpensive clip frames, but that all changed with our acceptance to show at the Foyles Cafe last February. A grant from Stephen Mooser, president of SCBWI, allowed us to buy frames and the hanging materials required to show in the cafe.
 
Illustrators upon acceptance into the show submit one high quality print of their work. Brand new frames and mats bring the quality look of the show to a high standard, deserving of the great member illustrations exhibited.

This photo gives you an idea of how the work was hung in the popular Foyles Cafe. A lot of work went into hanging; thank you Bridget Strevens-Marzo, Heather Kilgour, Amber Hsu and Shana Nieberg-Sushitzky! Oh, and Bridget’s daughter too!

A small group of us showed up to celebrate the exhibition with coffee at Foyles and later with dinner. Clockwise, Bridget Strevens-Marzo, an interested visitor, Sally Kindberg and her daughter, and Mike Brownlow. (There were more of us there, sadly the lighting was not conducive to much picture taking.)

In June 2013, the exhibit showed for three weeks at Southampton Library, thanks again to Jan Carr. Then in August, exhibited at the Norwich Millennium Library, highlighted with a day of festivities with local authors and illustrators as well as any exhibited illustrators able to travel to the venue. John Shelley organised a great day of sketch-offs, reading books and sharing work from the illustrators, mini workshops, a bookselling counter and, well, fun! The exhibit hung for three weeks there before coming back to me in London.


John Shelley and Mike Brownlow in a sketch off. Don’t know what one is? As a story is being read, illustrators sketch whatever imagery comes to them around the story.

The show displayed in Norwich. Two display cases were provided by the library, enabling us to show books and other material from contributors as well as the prints.

So, here we are in 2013 and another call for entries has gone out. In the past, the showcase has been juried by professional illustrators, Anne-Marie Perks, Bridget Strevens-Marzo and John Shelley. This year, award winning author illustrator Gillian McClure has joined the panel. We are planning another exciting year touring in London and around the UK, working on a new exciting venues to add to our growing list. We are hoping to expand to 25 accepted entries. Our remit is to show the very best of SCBWI member illustrator work, and to tour this fabulous work to as many venues as feasible.

One thing you may not be aware of is how much of making the members showcase exhibition happen is down to the hard work of SCBWI volunteers, and not all are illustrators. This includes hanging and taking down the exhibitions and moving this growing showcase traveling by car, van, train, bus and taxi.

If you haven’t thought about sending in your submission, why not? You do not have to be published to enter, nor does your work have to have been published. You can submit self-promotion pieces, many illustrators do. The criteria is that the work must be targeted to children’s publishing in any genre or age range. This includes older fiction, book cover and black and white work. Go here for submission guidelines, or see last years accepted winners and read the guidelines here. I hope to see you in the exhibit for 2013 and 2014!
________________________________________________________

Anne-Marie Perks is the Illustrator Coordinator for SCBWI British Isles. www.annemarieperks.com

Wednesday, 4 September 2013

Summer Scrawling and Socialising in the South West

Lesley Moss
It was a scorching day in Exeter when a few of us met for a Scrawl Crawl and Summer Social, organised by Yona Wiseman. We were grateful to get out of the heat and into the cool, quiet Royal Albert Memorial Museum. New members Jennifer Moore and Clare Welsh joined us with Clare’s lovely plus-one and his pet snake!

As usual the writers-talking-over-coffee part took longer than scheduled, but at last we set off round the museum, inspired by the strange artifacts and fabulous displays. Some of us were inspired with new ideas, others found a missing link for their WIP and some of us tried on strange headgear!

Amelia Mansfield admires Lesley's hat.

This was hungry work, so we moved on to an Italian cafe for a terrace lunch and of course, more chat, celebrating Jennifer’s upcoming ‘book birthday’ for her Space Pirate Panic series along the way!

Birds inspired some of us

Amelia Mansfield: It was such an inspiring day - wandering around the museum with a group of writers and a creative remit makes you see even little things (iridescent butterflies and historic shoes for example) in a totally new light. And finishing the afternoon with an al fresco lunch and writing chat was perfect! 


Coming soon in Exeter...

Our first Exeter masterclass with author/editor Lil Chase!

Lil says: Wouldn’t it be wonderful if the first draft was the final draft? Unfortunately, this never happens. As well as discussing the reasons why this could never happen, this workshop will look at ways of reducing the time spent on redrafting by going through some editing techniques. The workshop will consist of a number of practical exercises – from big picture editing, to detailed tweaking – which will help to develop your editing skills until your original draft is polished up into publishing gold.


Editing Alchemy
from first draft to gold

Saturday 19th October

2-5:30pm

Lesley says: I’m excited to welcome Lil to Exeter, where we have many keen writers, both experienced and just starting out, who are always eager to learn more about the editing process. As we all know, good editing is vital in rewriting, and useful in critiquing each others’ work. I’ve been to one of Lil’s workshops, read her work and had a one-to-one critique with her, so I can say she really knows her stuff and is a pleasure to work with.

 Please contact Lesley at southwest@britishscbwi.org with ‘EXETER MASTERCLASS’ in the subject line for details of how to book and pay in advance. The class costs £20. It is advisable but not mandatory to have at least one finished draft to gain most benefit. The venue is close to Exeter Central Station. Open to all SCBWI members, although priority will be given initially to the South West Network. If you’re keen to come along, please get in touch.


 All new for September in Bristol ...  

The tribes are gathering in Bristol this September. There will be an inaugural daytime Social on Saturday 14th September, organised with the help of lovely SCBWI member Jo Thomas, with input from Pippa Roberts and local members. It’s free, but buy your own refreshments – good food available.

Please contact Lesley southwestATbritishscbwi.org for details with ‘BRISTOL MEET-UP’ in the subject line. Those who have already expressed interest will be contacted and/or details posted on the Ning and Yahoo groups.



@anonymoss
Lesley Moss joined SCBWI in 2003 and over several years has volunteered as an e-critique group moderator for Picturebook Too! and the original poetry e-critique group, and as SW Joint Co-ordinator. She is a member of www.thefuneverse.comand writes picture books, funny poetry and 8-12 fiction. She originally studied art and design and spent some years in community arts, including a spell as a mime animateur, working creatively with children of all ages, and much more. But her first love is writing. 


Tuesday, 3 September 2013

Agent Confidential: Ben Illis

Name: Ben Illis 

AKA: Ben ‘Danger’ Illis or Ben X (Ben 10 being already taken) I am also, rather oddly, licensed to kill. Only lionfish and only in the Caribbean (they are an invasive species)

Agency: The BIA (needs no secret agent version, I’d like to think)





Genres represented: Children's (7+,9-12) Young Adult, New Adult, Crossover.

Authors represented and titles of books: Beverley Birch – Rift (Egmont), Shakespeare Stories (Hodder) and countless others. 
Paul Bryers – Spooked (Hodder) Mysteries of the Septagram Trilogy (Hodder) and many others.
H.L. Dennis – Secret Breakers series (Hodder). Alan Early – The Father of Lies Chronicles, AKA Arthur Quinn Trilogy (Mercier) 
Seth Hunter – Nathan Peake series (Headline).
Ian Johnstone – The Bell Between Worlds – The Mirror Chronicles (Harper Collins). 
Claire McFall – Ferryman, Bombmaker (Templar) 


Recent deals: Matt Brown – Compton Valance + sequel(Usborne 2014).
Brian Conaghan – When Mr Dog Bites + sequel (Bloomsbury 2014).
Lisa Glass – Blue + two sequels (Quercus 2014). 
And last, but not least, H.L. Dennis – new series, negotiations in progress – watch this space! 

Wish list: I hate this one, as I invariably find something I adore that doesn’t fit any of these bills, but here goes nothing: Strong, especially female-led, adventure stories for 9-12. Hilarious and probably toilet humour-based 7+. 
An uncompromising YA book that deals with burgeoning LGBT sexuality.
I’m always a sucker for good: romance; fantasy (not too high concept); real life stories, especially thrillers with a contemporary angle; horror that truly unsettles and ghost stories that send a shiver up (or down) my spine.
Oh, and Wyndhamesque dystopian sci-fi; unreliable narrators and jaw-droppingly original voices and stories, of course. 

Favourite books:How long have I got?! In no particular order and as they come into my, rather chaotic, head.
From my own childhood:
Robert Westall – especially The Machine-Gunners 
Robert Swindells – Brother in the Lands Willard Price – Hal & Roger Hunt Adventures Michael Ende – The Never-ending Story (NOT the film!) 
John Christopher –Tripods 
Rosemary Harris – Zed 
Anything by Roald Dahl, John Wyndham, Mollie Hunter, Mercedes Lackey, Terry Pratchett, Stephen King, Dean Koontz and a lot of other - often fantasy/horror - titles.

More recently: Cliff McNish – anything, but especially The Doomspell Trilogy 
Mark Haddon – The Curious Incident of the Dog at Night-Time 
Lian Hearn – Tales of the Otori Series 
Stuart Hill – Icemark series 
Will Hill – Department 19 series 
Nick Lake – In Darkness 
Eoin Colfer – Artemis Fowl series 
Jerry Spinelli – Milkweed 
Louis Sachar - Holes 
Sundry other favourite writers – 
Marcus Sedgwick, Philip Reeve, Cornelia Funke, Mary Hoffman, Neil Gaiman, JK Rowling (obvs), Michael Morpurgo, Suzanne Collins, Malorie Blackman, Philip Pullman, Louise Rennison and loads, loads more! 

Among writers for adults: 
Amitav Ghosh, David Mitchell, Rohinton Mistry, Barbara Kingsolver, Khaled Hosseini, Ann Patchett, Ahdaf Soueif, Neil Gaiman and, you guessed it, loads, loads more… 

Agent style: Hands on! Lots of irreverent banter; brainstorming; pacing around(on my part), gesticulating wildly and chasing ideas, while drinking and smoking - arguably too much - and following hunches and gut feelings. I like to roll my sleeves up and thrash things out and am something of a terrier,albeit a rather tall one. 


How to submit: Follow the guidelines on my website. Woe-betide anyone who sends me a file labelled ‘samplechapters.doc’. 

Submission tips: READ the guidelines! Make sure your submission is labelled with your name AND the book’s title. Be ready for it. Be age-appropriate. Know your intended market. Read around your subject. Be patient. Be persistent – you won’t necessarily secure the first agent you submit to, nor even secure an agent in your first round. You need dedication. Don’t scatterbomb ideas. Show me your passion and commitment to a single project in the first place, then bring up your other ideas down the line. Read some of your chosen agent’s clients’ work and see if they are likely to be the right one for you. Take criticism, when it is offered, and let it sink in. Don’t be defensive, but be prepared to defend your intentions in the editing process - nobody likes a pushover! 

Website: www.the-bia.com 

Twitter: @bookboyben 

Events: I am taking part in a workshop on the 29th September, with the wonderful Golden Egg Academy and will be doing something with The London Writers’ Group on the 15th October. Then there’s next year’s Winchester Writers’ Conference, of course, and, I hope, also SCWBI UK.






Mel Rogerson and Katrina Charman
Writing Features Editors
If you are an agent and
would like to be featured
in Agent Confidential,
please contact us at
writers@britishscbwi.org

Monday, 2 September 2013

Ten-Minute Blog Break - 3rd September

This is Nick back from holiday (many thanks to Celia J. Anderson for her inspired deputising on the Blog Break last week). I always love it when a theme emerges from the SCBWI blogs, and (appropriately) this week is all about the benefits of taking a creative break.

Bryony Pearce has been switching her brain off on holiday, but paradoxically finding that it stokes her creative inspiration. Interestingly, Lorraine Gregory is seeing almost exactly the same effect - her hectic rundown of her summer holiday activities makes me feel tired, but she's now raring to get back to her latest book. Finally, Trish Phillips tried to take time off from her dog illustrations by going for a walk on the beach, only to find inspiration running around and wagging its tail!

Katherine Lynas blogs on the funeverse about what to do when a creative break isn't self-imposed, but caused by a complete lack of ideas. Katherine's post is full of fun suggestions for how to get those creative juices flowing again. Anyone up for writing a poem about pineapples, gorillas and golf?

I would have loved to go to the Demention bloggers' Edinburgh Festival events, but will have to make do with the next best thing, which is Teri Terry's report on their two sold-out appearances. SCBWI authors as dystopian superstars - who knew?

Nick.


Nick Cross is a children's writer, blogger and all-round techno-ninja. In 2010 he was a winner of Undiscovered Voices with his zombie comedy Back from the Dead.

If you haven't tried it already, check out Nick's latest creation, The Amazing Rejectomatic.

Sunday, 1 September 2013

Ten Proofreading Tips to Improve Your Submission

Manuscript by Seth Sawyers
CC NON COMMERCIAL
A recent SCBWI Q&A session with professional editors confirmed a poorly presented manuscript was one of the biggest mistakes they see. To kick off our Everything Editorial month, professional proofreader Catriona Tippin shares her top tips for polishing your novel before submission.






Get in the Mood 
Put your work to one side for a while. Don’t attempt to proofread immediately after writing The End with a flourish. Your creative brain isn’t the same as your proofreading brain, and you need to be in the zone.

Hard Copy 
Some prefer to proofread a printed copy, this may work for you.

Margin Call 
Read through, make corrections and remember to ‘Save’. Then change the font size, or the margins, and read through again. Typos hide at the beginnings and endings of lines, so changing the font size or the margins will flush them out.

Typos hide at the beginnings and endings of lines, so changing the font size or the margins will flush them out. 

Organising and Analysing v Organizing and Analyzing 
Use your Spellchecker function, but remember it will probably suggest American spellings: theater, mold, jewelry, etc. Your Spellchecker may offer the American spellings of organize, analyze, etc. This may be what you want, but don’t mix with the UK English use of organise, analyse, etc. The choice of ‘…ise’ or ‘…ize’ is up to you – just be consistent. Most British publishers use ‘ise / yse’. British newspapers and the BBC use ‘ise / yse’. If you’re using Oxford spelling, as used by Oxford University Press for historical and etymological reasons, then it’s ‘ize / yse’. I prefer ‘ise / yse’ as it’s conventional in the UK and looks better in the usual fonts. . Using the UK spelling also means you can use your ‘Find’ function to look for ‘ize’ and if it isn’t in ‘size’ ‘seize’, ‘maize’ or ‘capsize’… it probably needs checking.

On Your Own? 
Read your work aloud. This helps find sentences that need shortening and/or dividing. Obviously, if your WIP is a picture book rather than a lengthy novel, you’re a winner here.

Read your work aloud.

Search and Ye Shall Find 
Use your Find function to look for your weaknesses. We all have regular mistakes, for instance typing ‘adn’ for ‘and’. When typing quickly I find I type ‘webiste’ for ‘website’ and ‘inovice’ for ‘invoice’ (doh). If you finetune your ‘Autochecker’ function you can pick up your regular typos, but nothing beats a painstaking readthrough.

Greengrocers Apostrophe’s 
Use your Find function to look for apostrophes and check them. Check all your possessives – ‘the greengrocer’s apostrophe’, ‘the cat’s whiskers’, ‘the footballers’ wives’. Check all your contractions – ‘don’t’, ‘won’t’, etc. Regular typos I see include ‘you’re’ for ‘your’,’ it’s’ for ‘it’s and ‘they’re’ for ‘there’ or ‘their’. Find and check.

!@&!#?!
Use your Find function to look for exclamation marks and think about them. Colin McNaughton’s Preston Pig can get away with ‘Suddenly!’ and ‘Boo!’, but exclamation marks can nearly always be deleted. Your writing should get the reader exclaiming, not the punctuation.

Use your Find function to look for exclamation marks and think about them. 

Facts Facts Facts 
Check your facts as well as your spelling and grammar. You can use Wikipedia, but only for the links to actual sources listed as footnotes in each entry. Yes, you need to scroll right down the Wikipedia page to the small print, follow those numbered links and check them.

Increase Your Wordpower 
Consult style guides: Times, Telegraph, Guardian – they are all available online. They are helpful for established opinions on usage, spelling of controversial words, use of hyphens, etc.

We hope you've found these suggestions useful. We'll be posting more of Catriona's tips on a monthly basis.



Catriona Tippin has been a member of SCBWI since 2006 and helps organise venues for SCBWI North East. Details of her writing and illustrating here. She proofreads study guides, house magazines and publicity material for two national educational charities, in addition to working on a variety of proofreads and copyedits for the growing self-published world. Her monthly column is intended to give you food for thought, remembering “Any correction of the speech or writing of other will contain at least one grammatical, spelling or typographical error” (McKean’s Law, named after its inventor Erin McKean, editor of the Oxford American Dictionary).

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