Showing posts with label Ben Illis. Show all posts
Showing posts with label Ben Illis. Show all posts

Sunday, 27 July 2014

The Chalkface Challenge 2014: The Shadowing Results

We know who won The Chalkface Challenge 2014 - congratulations again to Jill Atkins for Elrac and the Konkipong Tree  but whose entries were sent with Jill's to the Shadow Judges? And did our shadows choose the same winner as the children?

Firstly,  here are our runners up - shortlisted by the children at Sparsholt C of E Primary School, in no particular order:

Ruth Griffiths @ruthsageman with Sheriff Daisy and the Cold Custard Ambush (entry22)
'I liked that this story was fun and enjoyable, yet it was probably better suited for younger readers. The story made full sense and was easy to read, I don't think I'd change anything If I'm correct about the age thing.'

Jan Deykin with Hunting Fernando (entry 28)
'It was a real page turner'
'I like that the theme was football.'
'I enjoyed it and I would like to read more.'



Celia Anderson  @CeliaAnderson1 with Teacher Torture (entry 3)
'I loved the idea of a teachers prison.'
'I found it quite funny that he only had one hair.'
Tamara Wolcough with Stag Lodge and the Missing Oracle (entry 16)
'I liked this story because there was a school for secret agents and I thought the story was really good'



The comments above are from The Chewstoke Reviewers who are aged 10 to 11yrs.
A small problem with the post (the kind that lands on your door mat) means I don't yet have the Sparsholt comments. All those of you who entered and have kindly sent me SAE's, I'll post out as sound as I do.

Congratulations Celia, Tamara, Ruth, and Jan!

So what did the shadow judges think - did they agree with the children?

Here are the shadow judges comments:


Amber Caraveo, Editorial Director at Orion Children's Books & Indigo

'I had so much fun reading the top five Chalkface Challenge entries!

It was incredibly difficult to pick a favourite. I thought Entry 3 was very funny (especially torturing the teachers with pictures of tea and KitKats! ☺) and I can definitely see how it will appeal to young readers, but ultimately the winning entry for me is Entry 22.

I thought Entry 22 was written with personality and imagination. I loved that Daisy was such a brave and feisty female protagonist, I really enjoyed the idea of her storybook characters coming to life and I adored the little details – like Ears’ ears drooping when he’s disappointed, the Strawberry Saloon serving jam tarts and Bad-Breath Bill demanding a ransom of gold chocolate coins! Fun and inventive – it’s a winner for me!'


Ben Illis, Literary Agent at The BIA Agency

'My favourite is entry 16.

Here’s why:

I love the way it starts as any ‘first day at a new school' narrative might start and then casually throws in the fact that Jamie and Dan are to be training as secret agents. There’s something lovely about the matter of fact tone in which this piece of super-exciting information is then discussed, to say nothing of the humour in Aunt Evie’s description of her own failures back in her own day and the tantalising revelation that Jamie’s mum was one of the best back in hers. I also love the way it leaves us hanging, wondering just what sort of excitement Jamie and Dan are going to be facing during their top secret training. I mean after all, who HASN’T dreamt of being a secret agent?!'


Jasmine Richards, Senior Commissioning Editor at OUP Children's

'OMG! How amazing are the shortlisted entries! Really confident and exciting storytelling and I've found it extremely difficult to choose just one because all of the stories are very strong.

However, under threat of being poked with a long stick and thrown in a cage with those horrible teachers I'm going to choose Flynn and the Cell Block Zero Teachers’ Prison. I loved how naturally funny this writer was and the attention to little details which set the scene and provided backstory.

I also liked that I could clearly see where this story was going - got a feeling that Flynn and those teachers are going to need to work together to beat that monster! Overall a very masterful piece of work - well done!'


Karen Ball, Publisher at Little, Brown Young Readers & Atom 

'My favourite extract is number 16, reasons below: The extract opens with a strong and intriguing line of dialogue. I immediately wanted to know why Jamie was struggling to breath! The opening sentences also work hard at establishing personalities in a quick space of time. We see that Aunt is distracted but very engaged in Jamie’s destiny and that Dan has a mischievous sense of humour. Our main character’s wry narrative perspective establishes the mood of the book, and I quickly understood (in a good way!) what type of journey I was on.



Jan Carr is the editor of Words & Pictures. Her fiction is all over the place, she actually blogs every week - here! She loves to write colourfully and organises The Chalkface Challenge by sweet talking all these lovely people to read, review, judge and most importantly ENTER! You can contact her at editor@britishscbwi.org.

Thursday, 3 July 2014

Network News: Winchester Writers’ Festival

We're lucky in the South to be so handy for the increasingly popular Winchester Writers’ Festival, now in its 34th year.

Charlotte Comley went along and collected some great festival tips. Can't wait until June next year to try these out? Our own SCBWI Conference, also at Winchester University, is in November. Over to Charlotte...


The Winchester Writers’ Festival consists of three days of inspiration, networking and learning for new and emerging writers working in all genres and for all audiences.
Delegates can choose from a wide range of day-long workshops and short talks.
Each year the Winchester Writers’ Festival offers around 800 individual one--to-one appointments for delegates wanting to speak to literary agents, commissioning editors and award-winning authors.
Last year unpublished writer Jenny McLachlan met literary agent Julia Churchill at the Festival.
This year Jenny McLachlan returned to launch her first YA novel, Flirty Dancing, published by Bloomsbury. This year too, the festival announced the inaugural Festival Scholarship Scheme, with 10 free places for writers aged 18-25.

It's fun, supportive, challenging and intense!
So how do you make the most of your visit?

  1. Come with an open mind, ready to learn
  2. Prepare for your one-to-ones to get the most out of each meeting
  3. Bring a notebook for jotting down all those new ideas and vital contacts!

Ben Illis

Ben Illis is the founder of The BIA, a specialist literary agency representing writers of Children’s, Young Adult and potential crossover fiction. Before becoming an agent, Ben was an editor, a writer, a photographer, a bookseller, a publisher and even an actor. Ben has been around.

Ben’s top tips:

  1. If you do get an offer from an agent, take a breath despite the excitement and ask yourself ‘could I work with this person?’ It is important to have an agent you like and TRUST.
  2. If you do get an offer from a publisher and you don’t yet have an agent, let any who are still considering know, as it may speed up their decision-making. If all else fails, make sure you get someone to check the paperwork you are signing and don’t be afraid to question anything that looks fishy (never part with the copyright, for example, a publisher should license your work, not buy it outright). A good resource to consult for further advice is the Society of Authors
  3. One of the most important qualities in any writer is PATIENCE. It takes TIME: Time to write the book. Time to let it macerate in a drawer ahead of starting on draft 2 or 3 or 17. Time to secure an agent. Time to get the edit just right ahead of submitting. Time to get feedback – good or bad – from editors. Time to get through acquisitions. It’s a long, long process. Writers need to be able to manage their nail-biting and nerves. My advice: once your WIP is in the machine, find a new project (and if writing for kids, make it different, but aimed at the same target age group) to crack on with while the wheels of publishing turn at their own, maddeningly slow, pace.


Sallyanne Sweeney grew up in Dublin and studied English at Trinity College before completing an MPhil in American Literature at Queens' College, Cambridge. After graduating she joined Watson, Little Ltd, becoming a Literary Agent in 2008 and a Director of the company in 2011. She joined Mulcahy Associates in August 2013 and is building her list of fiction and non-fiction authors for children and adults, as well as a small number of picture book illustrators.

Sallyanne’s top tips:

  1. Go to your one-to-ones with the aim of finding out all you can to improve your work. If the agent or editor likes it, then that’s a bonus – but shouldn’t be your sole aim of the meeting. Agents rarely sign people up on the spot as they usually will want to read the complete manuscript first. If they ask you to send that, you're on the right track – though do read over it before sending, and incorporate edits discussed at your meeting.
  2. It can be useful to come to your one-to-one appointment with a question prepared. Is there something about your work that’s been troubling you, or do you have general questions about the publishing/submitting process? Make the most of your time!
  3. If you meet an agent in the toilet or at the bar, don’t go straight for the pitch (or slip your manuscript underneath the toilet door, as apparently happened to one agent…). This can be off-putting in an agent’s limited downtime – better to be friendly and personable and follow up with a query after the festival.


Bethany Neal
Bethany Neal has just finished a BA in Creative Writing at Winchester University. She attended the festival as a student volunteer and was proud to help the delegates. She is looking forward to writing something that is not an assignment over the summer, probably something in the form of a script.


Bethany’s top tips:
  1. The world is better with a smile. The site can be disorientating with weird room numbering, but there are lots of helpers in yellow tee shirts happy to show you around.
  2. Carry water, and keep hydrated during the day.
  3.  It can be a very busy day, dashing from one appointment to another. But try to be relaxed, and zen like about it. Don’t forget that you have come here to enjoy yourself.

Christopher Joyce, John T O’Halloran, Helen Christmas and Jeremy Kerr from the CHINDI group.

CHINDI is a network of independent authors living in and around Chichester in W. Sussex. We share ideas, expertise and contacts to reach as many readers as possible in a cost effective manner.

CHINDI organises events to promote our books and encourage more independent authors to follow their dreams and get writing.

CHINDI’s top tips:

  1. Winchester Writers’ Festival is a great place for independent authors to network and get great ideas.
  2. Don’t come with the expectation to be selling loads of your book.
  3. Lunch isn’t included for the people on the exhibition stands, but you can pay extra in advance. Lunch is an excellent opportunity to mingle with others.


Kay Blank and Sophie Ward have been regular volunteers at the Writers’ Festival.

Kay has been coming to the Conference now Festival for 7 years, at first as a delegate and the last 4 years as a helper. She's volunteers on the one to ones desk..

Kay’s top tips:

  1. Be prepared. Know what it is you want from your 15 minutes. Keep on topic and don't waste your minutes.
  2. Try and leave your emotions at the door and get your business head on. That way you can be more detached from your work and see it more as a business proposal.
  3. This my third but No 1 tip. It is just someone's opinion. That's all. That one person is not the whole literary world. Focus on the good they said. Look at the bad too as it can be very valuable but then move on.


Thank you Charlotte for gathering these very useful tips for any writing conference. 
#scbwicon bookings will be opening soon!




Charlotte Comley creative writing group organiser and now self employed writer of educational resources. Her fiction has been published by Ether Books, Darwin Evolutions, Flash Flood, Chuffed Books, and 1000 words. Non fiction work has appeared in magazines such as The Green Parent, Take a Break, Woman's Weekly, The Motion Online and Grow It. Charlotte Comley was one of the writers and script editors of Express FM Conway Street, a radio soap airing three times a week for eighteen months. She came highly commended at The Winchester's Writing Conference competition for children's fiction.  In 2012 she read at The Umbrella Festival at The Groundlings Theatre, came third place at Alton's Book Festival The Pint Pot of Fire, at Wordsouth Havant and of course in the Portsmouth Book Fest 20 x 12. She was short listed for the You, Me and Everyone project in Portsmouth and has won various poetry prizes at poetry Cafes.


Sunday, 1 June 2014

The Chalkface Challenge: Introducing the Judges



The Chalkface Challenge
presents…

The Shadow Judges…



  • KAREN BALL, @karenball is a publisher at Little, Brown Young Readers & Atom.
  • AMBER CARAVEO, @AmberCaraveo is editorial director at Orion children's books & Indigo
  • JASMINE RICHARDS, @JRichardsAuthor  a senior commissioning editor for children's books at Oxford University Press
  • BEN ILLIS, @bookboyben is a kids & YA literary agent at The BIA literary agency

These excellent people will each select their favourite opening excerpt from the 5 entries shortlisted by the young judges at Sparsholt Church of England Primary School. They won't know who has actually won until after they've made their selection when the children's verdict is announced on Sunday 20th July. Will Karen, Amber, Jasmine and Ben pick the same winner as the children? The Shadow Judges results and their comments will be published the following week on the 27th July.

The judges have also sent in some information on  their reading preferences.

Here they are:
Robert, Shadat, Dominic (Year 4)

Cara, Ben, Isabelle (Year 4)

Abby, Imogen, Georgina (Year 3)

Jacob (Year 3)

Generally:
Y3 children like magical adventures. Characters should be funny and the adventures full of excitement. Their wish list included a girl as a knight, a war in the woods and a big creepy castle. Characters were the main thing they liked about their favourite books.
Y4 children read longer books. Harry Potter, Percy Jackson, Tom Gates are all big favourites at the moment. They still like lots of adventure and excitement but were less insistent about a magical element. Lots of realistic (gory*) detail though was requested.

This shouldn't in any way deter you from sending in your ungory* story because, as we discovered, last year's judges uncharacteristically shortlisted Julie Fulton's gripping opening to her WW2 canal boat adventure. They are a discerning group of people.

The closing date for entries is Sunday 15th June at 12 noon BST
Instructions for how to enter here.

You have 14 days to make your opening 500 words Sparsholt ready!

Good Luck!




Tuesday, 3 September 2013

Agent Confidential: Ben Illis

Name: Ben Illis 

AKA: Ben ‘Danger’ Illis or Ben X (Ben 10 being already taken) I am also, rather oddly, licensed to kill. Only lionfish and only in the Caribbean (they are an invasive species)

Agency: The BIA (needs no secret agent version, I’d like to think)





Genres represented: Children's (7+,9-12) Young Adult, New Adult, Crossover.

Authors represented and titles of books: Beverley Birch – Rift (Egmont), Shakespeare Stories (Hodder) and countless others. 
Paul Bryers – Spooked (Hodder) Mysteries of the Septagram Trilogy (Hodder) and many others.
H.L. Dennis – Secret Breakers series (Hodder). Alan Early – The Father of Lies Chronicles, AKA Arthur Quinn Trilogy (Mercier) 
Seth Hunter – Nathan Peake series (Headline).
Ian Johnstone – The Bell Between Worlds – The Mirror Chronicles (Harper Collins). 
Claire McFall – Ferryman, Bombmaker (Templar) 


Recent deals: Matt Brown – Compton Valance + sequel(Usborne 2014).
Brian Conaghan – When Mr Dog Bites + sequel (Bloomsbury 2014).
Lisa Glass – Blue + two sequels (Quercus 2014). 
And last, but not least, H.L. Dennis – new series, negotiations in progress – watch this space! 

Wish list: I hate this one, as I invariably find something I adore that doesn’t fit any of these bills, but here goes nothing: Strong, especially female-led, adventure stories for 9-12. Hilarious and probably toilet humour-based 7+. 
An uncompromising YA book that deals with burgeoning LGBT sexuality.
I’m always a sucker for good: romance; fantasy (not too high concept); real life stories, especially thrillers with a contemporary angle; horror that truly unsettles and ghost stories that send a shiver up (or down) my spine.
Oh, and Wyndhamesque dystopian sci-fi; unreliable narrators and jaw-droppingly original voices and stories, of course. 

Favourite books:How long have I got?! In no particular order and as they come into my, rather chaotic, head.
From my own childhood:
Robert Westall – especially The Machine-Gunners 
Robert Swindells – Brother in the Lands Willard Price – Hal & Roger Hunt Adventures Michael Ende – The Never-ending Story (NOT the film!) 
John Christopher –Tripods 
Rosemary Harris – Zed 
Anything by Roald Dahl, John Wyndham, Mollie Hunter, Mercedes Lackey, Terry Pratchett, Stephen King, Dean Koontz and a lot of other - often fantasy/horror - titles.

More recently: Cliff McNish – anything, but especially The Doomspell Trilogy 
Mark Haddon – The Curious Incident of the Dog at Night-Time 
Lian Hearn – Tales of the Otori Series 
Stuart Hill – Icemark series 
Will Hill – Department 19 series 
Nick Lake – In Darkness 
Eoin Colfer – Artemis Fowl series 
Jerry Spinelli – Milkweed 
Louis Sachar - Holes 
Sundry other favourite writers – 
Marcus Sedgwick, Philip Reeve, Cornelia Funke, Mary Hoffman, Neil Gaiman, JK Rowling (obvs), Michael Morpurgo, Suzanne Collins, Malorie Blackman, Philip Pullman, Louise Rennison and loads, loads more! 

Among writers for adults: 
Amitav Ghosh, David Mitchell, Rohinton Mistry, Barbara Kingsolver, Khaled Hosseini, Ann Patchett, Ahdaf Soueif, Neil Gaiman and, you guessed it, loads, loads more… 

Agent style: Hands on! Lots of irreverent banter; brainstorming; pacing around(on my part), gesticulating wildly and chasing ideas, while drinking and smoking - arguably too much - and following hunches and gut feelings. I like to roll my sleeves up and thrash things out and am something of a terrier,albeit a rather tall one. 


How to submit: Follow the guidelines on my website. Woe-betide anyone who sends me a file labelled ‘samplechapters.doc’. 

Submission tips: READ the guidelines! Make sure your submission is labelled with your name AND the book’s title. Be ready for it. Be age-appropriate. Know your intended market. Read around your subject. Be patient. Be persistent – you won’t necessarily secure the first agent you submit to, nor even secure an agent in your first round. You need dedication. Don’t scatterbomb ideas. Show me your passion and commitment to a single project in the first place, then bring up your other ideas down the line. Read some of your chosen agent’s clients’ work and see if they are likely to be the right one for you. Take criticism, when it is offered, and let it sink in. Don’t be defensive, but be prepared to defend your intentions in the editing process - nobody likes a pushover! 

Website: www.the-bia.com 

Twitter: @bookboyben 

Events: I am taking part in a workshop on the 29th September, with the wonderful Golden Egg Academy and will be doing something with The London Writers’ Group on the 15th October. Then there’s next year’s Winchester Writers’ Conference, of course, and, I hope, also SCWBI UK.






Mel Rogerson and Katrina Charman
Writing Features Editors
If you are an agent and
would like to be featured
in Agent Confidential,
please contact us at
writers@britishscbwi.org

My Blog List