Showing posts with label portfolios. Show all posts
Showing posts with label portfolios. Show all posts

Thursday, 16 January 2014

Keeping Those Promo Plates Spinning

Online portfolios, web galleries, social media, blogs - the internet is packed full of platforms and portals for illustrators to showcase their creative talent. With so much choice available, which sites to choose? Regular contributor and digital artist Paul Morton navigates his way through the cyber jungle.



"I still marvel at how new clients, in say Australia, can be in contact about a new job and within seconds they're checking out my latest work and downloading samples"

We artists and illustrators are not particularly famous for being vociferous self promoters. But the shortest of freelance experience soon makes it glaringly obvious that if we don't shout out about how brilliant we are for ourselves, we are very soon going to starve in our cliched garrets. Yes, there are agents who can amplify our greatness, and many artists swear by them. Some at them! It used to be a matter of assembling a fantastic portfolio, getting cards printed, seeking out the most relevant and up-to-date list of commissioning editors and then getting out there and doing some real 'Face Time'. These days of course there is absolutely no excuse for failing to have at least one sparkling, professional online shop window.

In this article I'm going to take a quick look at the options out there for illustrators wanting to present to the world. 


Disclaimer - The following views and opinions expressed are those of the author, and should not be construed as recommendations or endorsements by SCBWI


It shows my age when I still marvel at how new clients, in say Australia, can be in contact about a new job and within seconds they're checking out my latest work and downloading samples. At the very same time an editor in perhaps Calgary, is flipping through my online Picture Book dummy and following the hot links to my apps. Amazing and wonderful - but the choice of online options is overwhelming, and can quite easily demand a full time job just to manage and upkeep efficiently! Remember those plate spinning cabaret acts? Well running a number of websites and social networking sites is pretty much like that. There are a few broken plates on MY floor but hopefully I manage to always keep a handful spinning.

In fact at the time of writing this I have around 20 online presences where my work is legitimately displayed. I guess the various sites fall loosely into categories such as websites/homepage, social networking sites, online portfolios/galleries, shop fronts, workplace/job swapping discussion sites, scrapbook / pinboard sites, however they do fluidly overlap and share space.


The 7 most cost effective and paid-for sites that work for me


The most useful and most visited online space is my home web site. Although there are lots of excellent, and free, self-creation web services, I opted to pay to have mine developed. It's currently built in Wordpress. After Contact, (see below), my website is my 2nd most important source of new work.

If you don't yet have your own website then a blog or simply a Facebook page is an absolute must these days. Wordpress and Blogger are two of the most popular sites for creating web pages and blogs. They give ease of access, 100s of useful templates and are backed by lots of professional and powerful features. My second busiest and most upkept site is my Hot Frog Blog, created in Blogger (owned by Google).
 

And it's worth remembering that all the images that are posted to your Google blog will automatically be collected into one vast Picasaweb chronological image album, and available to view/share. I'm not sure if my blog does actually bring in much new work but it seems an obligation as well as a very useful and practical way to keep a record of all my most recent work. I know SCBWI writers treat their blog almost as a longer term, ongoing WIP and find them invaluable.

 


www.contact-creative.com
This is my number one source of new illustration work and directly due to the fact that this is a tied in deal with the printed illustration directory 'Contact' book. At around £1200 for a double page spread it's not cheap but I've found it cost effective. In the package you also get the online gallery portfolio plus another tied in deal (20 free gallery images) with the American Serbin Directory of Illustration (see further below). 



www.childrensillustrators.com
$465 per year for a portfolio of 24 images. Your portfolio can be edited at any time, with a searchable tag engine. It's user friendly, inexpensive and a very effective at procuring new work. Make sure you keep your work up to date, and your search tags apt and lively.


www.theispot.com
$650 per year for a gallery of 24 images (plus one time set up fee of $100).
The ispot describes itself as a portfolio and rights managed site, has lots of extras that you can upgrade to. I tried the stock image section for a while but had no sales probably due to the wrong choice of images.



www.directoryofillustration.com
Free via Contact, you get 20 images on their portfolio site. Serbin also produce specific themed portfolio sites for the games industry, children's books and medical illustration etc.



www.playillustration.com
This is one such themed site, and a reduced rate of $25 per month via the Contact deal gets me 20 images on their games and children's books gallery.


 

www.creativesource.ca
Canadian based, after 2 years its usefulness is still pending. Prices from $250 per annum.


 


One popular site that I've not yet subscribed to is www.hireanillustrator.com, a UK based site with 400+ illustrators, and recommended by some SCBWI members. Having investigated the details for this article I am about to try it myself as it does sound convincing. From £4 per week you get an unlimited number of images in your gallery, but uniquely they mail out promo packs to clients so effectively you're getting work in front of up-to-date contacts.

Although I have described some of these previous sites as 'portfolio sites' they are really only gallery sites. To preserve that experience of flicking through a 'real' portfolio I now come to my favourite of the moment...


www.issuu.com
I first discovered ISSUU a couple of years ago and have come to love its simplicity, effectiveness and professional slickness. ISSUU hosts 14 million publications online, presented in a print-like interface that gives the reader the experience of flicking through page by page. You'll find up to date children's publisher catalogues, 500+ page Photoshop "how to" books - yes, in their entirety! As well as previous month's magazines on fashion, 3D graphics, painting etc etc. Titles that are still on the book shelves are archived there - for free!

But the reason I've come to rave about it and wanted other SCBWI members to know about it is that with a bit of ingenuity you can use it for excellent self promotion. Firstly, it's easy to create and upload a specifically tailored and dedicated page flipping portfolio. It's also a great place to host your working PB dummy. Now any art editor, anywhere in the world, at any time, can be sent a link, can take a look through your latest PB project - and reject it within minutes!


To create my Publishing Portfolio, I first designed each portfolio page layout in Photoshop, saved each as a jpg, then assembled all the sequential jpg pages into a PDF presentation (still within Photoshop) before uploading the presentation to ISSUU. Once on ISSUU you can embed hot links to other work, websites, email etc.

You're allowed 3 private publications, such as PB dummies that you wouldn't want everyone to see, all other works must be public. With so many publications on ISSUU there are bound to be some copyright issues so it might be prudent to check that someone else has not already added some of your books illegally! It has been known.

To finish with, in no particular order, here's a list of other sites well worth checking out.


For other blog / web creation sites try:


http://www.weebly.com
Free web creation with e-commerce options, upgrade and pay for more features.
 

www.wix.com
"Create a Free Online Portfolio. Choose a design.  Customize it with ease.  Publish online instantly". The SCBWI Illustration Showcase is a Wix site, and so obviously Wix is also good for creating an online portfolio/gallery too.
 

www.moonfruit.com
Build a free website or a shop. 


Other sites similar to ISSUU include:

www.yumpu.com/en/
I've tried this, good but not as slick and smooth to run as ISSUU.

www.yudu.com
Multi platform publishing.

http://en.calameo.com/books
Like ISSUU but I've not really tried it out.

Online gallery sites
http://thecreativefinder.com
Free portfolio/gallery hosting, job marketplace.
Where 'finders' meet creatives for networking, collaboration and inspiration.


www.flickr.com
The place to go for photography hosting. One free terabyte of space, perfect for an online gallery. Ladybird Books don't take submissions but do ask you to upload illustration samples to their Flickr account from which they might pick future artists.
 

www.linkedin.com
A more business orientated FaceBook.
Meet art directors and commissioning editors online.

www.youtube.com
Well known of course, and can be excellent for showing promo animations/videos for your books, how-to demonstrations etc.
 

www.behance.com
Free platform to showcase and discover photography, graphic design, illustration, and fashion. Owned by Adobe.
 

www.slideshare.net
A free slide presentation hosting service.
Often called "YouTube for slideshows". 16 million registered users.
 

www.squarespace.com
$8 per month. Website and online gallery creation.
 

www.viewbook.com
Create websites, mobile portfolios for iPad, From $19 month.
 

www.bigblackbag.com
$9 per month online portfolio/gallery.

www.jacketflap.com
JacketFlap is a comprehensive resource for information on the children's book industry. Thousands of published authors, illustrators, librarians, agents, editors, publicists, and publishers visit JacketFlap every day. JacketFlap also has the world's largest database of information on children's book publishers.
 

www.adbase.com  in conjunction with  www.foundfolios.com
A marketing and recruitment site for artists and photographers. Free to upload a portfolio. Lots of upgrade options to pay for. A marketing database.

And of course don't forget SCBWI  http://www.scbwi.org
your $95 membership entitles you to an online gallery plus profile.


http://dunked.com
Create your online portfolio 
in minutes. No coding skills required. 70,000 + creative people use Dunked to showcase their talent.

http://redframe.com
$16 per month online portfolio website.
 

www.portfoliobox.net
Create your own free website/portfolio, with upgrade options.
 

www.viewbook.com
$19 per month, portfolios created and presented wherever you need to showcase.

http://4ormat.com
$7 per month, create beautiful online portfolios that seamlessly display across any device.


https://crevado.com
Create online portfolios for free. 



www.workbook.com
An important top source for professional illustration and photography portfolios.
Similar to Contact in that it's tied in with a print directory.
Prices from $800 to $3,350.
 

www.pixpa.com
Showcase, share and sell from $5 per month.

http://illustrationfriday.com 

A meeting place for illustrators with regular illustration challenges and competitions.

http://artpickle.com
Another free online gallery for visual artists, upgrade to pro sites from $10 per month.
 

www.deviantart.com
A vast free, site featuring a whole array of artwork styles, with print sales and especially good for fantasy and 3D artists.




www.theaoi.com
The professional body for illustrators. £186 gives you membership for a year with all its associated benefits plus an online gallery of 24 images.

www.tumblr.com
Micro blogging site, hosting over 150 million blogs. Repository for interesting articles.
 


www.pinterest.com
Created in 2009 is now 3rd behind only Facebook and Twitter as the most popular Social Networking site. Online Pinboards can be used as shop front, galleries and portfolios.
Also, for writers, Pinterest is used for scrapbooks of plot details and theme boards as aids to writing.

www.padlet.com
Easy to use yet powerful collaborative 'wall of ideas', images and articles for storing and sharing. I'm just beginning to appreciate the usefulness of Padlet.

http://picture-book.com
A huge and respected directory of children's illustrators. Prices for an online 30 image gallery start at $25 per month. For a premium rate of $250 per year your work in an e-book gets mailed out to 10,000 art buyers. They also print an annual directory and you can download and view each year's entire annual online here.
 

www.thelittlechimpsociety.com
Illustration galleries and news forum - join and get online for free.
 

www.smugmug.com
From $5 per month, create photo and illustration gallery websites.
 

www.illustratorsink.com
Mainly US based illustrator directory. Free as far as I can tell.


Shop Types



www.etsy.com
An excellent site for selling your hand made artwork and craft items. Use it as a gallery with shop attached. I know people have have earned thousands from their Etsy shop.
 

www.redbubble.com
'The' place to sell your artwork to others. One of the top and most respected sites, have your work featured on T shirts, iPad cases etc.

Here are two final sites from artists' agents representing top illustrators.
 

www.saahub.com
 

www.illustrationweb.com

Obviously there are loads of artists' agents and their online gallery sites.
You would need to approach the agency in question to get accepted onto their books before you can then appear on such a site.

So that's it for now.
I'd love to get some  feedback from other SCBWI members, please let me know about the sites that have worked for you, the ones you dislike and of course the ones I've completely missed.
And be sure let me know as soon as you've received your first new job as a result!






Paul Morton is an illustrator, SCBWI member and member of the WOrds & Pictures editorial team. He is based in South Yorkshire. His Design Studio is Hot Frog Graphics. Read Paul's blog here.

Friday, 30 August 2013

Tips for Surviving an Illustration Portfolio Review

Today Jane Heinrichs, one of our recent Featured Illustrators, offers some guidelines on the challenge of organised Portfolio Reviews





One of the common experiences of any illustrator in SCBWI is attending portfolio reviews. 

We print out our precious illustrations.  We collate them in a folio. Butterflies breed in our stomach, so that we can hardly breathe.  What will the editor/agent/art director say?  Will this be my lucky day? Or will I feel overwhelmed by all their comments? 

No matter how experienced we are as illustrators, a portfolio review will always be an emotional event.  But, that’s ok.  Emotions are all part of the creative process. 

One thing we can do to make the experience as positive as possible is to be prepared.

Here are a few tips…

Preparation:


1. Dress to impress.  Most portfolio reviews are face to face, and while your illustrations are the most important factor, the reviewers will also be seeing you for the first time.  Make an effort to look good! I always make sure I’m wearing something smart, fresh and professional.

2. We love paper.  For years I bought cardstock from the local stationery store and printed my portfolio at home.  The prints were adequate, but not outstanding.  Then, I invested in getting my best illustrations printed professionally on real water colour paper. The reviewers noticed!  Some even ran their fingers across the pages, simply appreciating the gorgeous quality. (After all, don’t all illustrators and publishers love pretty paper?) It may seem like a big investment, but it’s probably the one thing I did that made the biggest difference. 

Detail of my printed watercolour paper

3. The little black binder. First impressions count. Get a really amazing PRAT or Panodia leather bound portfolio book to house your work.  They are expensive, but they last forever. If you show the reviewer that you value your illustrations, they will value them too! 


PRAT portfolio's from the excellent London Graphic Centre

Quirky business cards or postcards.  Make sure you have lots, and give them freely.

  
illustrator business cards I've collected

Just before the critique: 


1. Talking points. Make a list of a few things you want to mention to the reviewer.  Previous accolades.  Projects that went really well.  Future plans. Unique working methods.  If you have them ready in your head, you won’t run the risk of forgetting all the important stuff because of nerves.
2. Take a deep breath. It’s ok. They want to help.  Don’t be nervous. 




Communicate your passion for your art form.

 

During the critique: 


1. Make eye contact.  This may seem basic, but sometimes critiques can be so nerve-wracking that you spend the whole time staring at your trembling fingers. If you make eye contact and connect with the reviewer, they’ll take more interest in your work.
2. Explain your methods and motivations. (See above) As the reviewer looks at certain illustrations – and especially if they show interest – explain how you created the artwork, or describe the project it relates to.  Be enthusiastic! Communicate your passion for your art form.
3. Accept compliments.  If the reviewer likes a piece, say thank-you. Take credit for your talent; you’ve worked hard.
4. Ask questions.  You want to learn from this experience.  Here are a few of my favourite questions:   

  • Which illustration do you think is the most successful?
  • What should I focus on for future illustrations?
  • What do you think I need to work on? (This is a humbling question to ask, but be brave!  You need to know in order to improve.)
  • Make a list of your own questions based on what you think you need to work on most.
  • Don’t be discouraged if each reviewer gives a different answer to the same questions.  Art is subjective after all! 
5. Say thank-you.  No matter what they said, make sure you shake their hand and say thank-you at the end.  
6. Keep the door open. Give them your business card and ask for theirs in return. Ask if they would be open to receiving some samples of your new (improved, amazing) work in a few months. Keep the communication lines open. 


Right after the critique:


1. Write it down. Take a few minutes to sit in a quiet place and make notes of everything they said while it’s still fresh. Even if it hurts. Even if tears are streaming down your cheeks.  Even if it’s amazing and you want to jump on the ceiling and giggle hysterically. Write it down for future reference.  
2. Save their details. Put their business card in a safe place. You don’t want to lose it!

 

Later…. Much later…


1. Review your notes.  Go over the notes from all your critiques.  Are the opinions wildly divergent?  Can you see any patterns?  Is there anything you can implement, even in a small way? 
2. Make a list of the opinions.  If you showed your portfolio to 100 people, you might receive 100 different opinions – perhaps not absolutely different, but lots of variations. Make a list of the positive comments and the negative comments.  Take in what they said; then make your own decision. It’s your artwork and your voice.  What you do has to feel true to your vision.
3. Try one small change. Make a small illustration with one of the comments in mind. Try to really push yourself.  Does it feel like you’re going in the right direction? If not, keep experimenting.  What’s the use of going to critiques if you’re not actively trying to improve?
4. Make an action plan. Keep making good art.  Actually, keep making fantastic art.  Send your new illustrations to your new contacts. Keep asking for feedback. And keep going to portfolio reviews. 



Finally…


Creating good art is a journey.  Each portfolio review adds light to the map that will lead you to artistic fulfillment.  When you’re making art, you never know where you are, or where you’re going; you can only see how far you’ve come. So, keep attending portfolio reviews, keep making notes, and keep experimenting; you’ll be surprised by your progress! I promise.

______________________________________________________




 


Jane Heinrichs is a Canadian born illustrator now based in London.
www.janeheinrichs.com
http://janeheinrichs.blogspot.com
Twitter: @janeheinrichs
https://www.facebook.com/JaneHeinrichsStudios

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