Showing posts with label Anne-Marie Perks. Show all posts
Showing posts with label Anne-Marie Perks. Show all posts

Monday, 15 December 2014

Ten-Minute Blog Break - 16th December

It's been one of those days - I broke my tooth during breakfast, and everything that followed had to be fitted around dentistry! But fear not, because I managed to squeeze the Blog Break in, and good job too, because there are some great posts this week!

On the SCBWI-BI Facebook group, I've already flagged up Anne-Marie Perks's prominent (but strangely uncredited) appearance on the BBC News site with her wordless picture book illustrations. Over at Big Little Tales, Anne-Marie shares more background on the project and artwork from the forthcoming companion volume.

Last week, we had a wonderful story of perseverance rewarded (from Kathy Evans). This week, it's the turn of my fellow Undiscovered Voices 2010 winner Abbie Rushton. Ever wonder what it's like to have that meeting with a publisher? Read Abbie's post and find out all about it.

There's a great process-related post on Sarah McIntyre's blog this week. Responding to a query from an MA illustration student, Sarah tells us all about her sketchbooks and how important they are to her creative process.

Claire O'Brien also has some great advice for picture book illustrators, focusing on internet video training courses. In her blog post, Claire highlights some courses on a variety of sites that she's found engrossing.

Have you got a difficult teenager (or adult) who you want to buy a book for this Christmas? Nicola Morgan has gone straight to the source for her book recommendations, asking the teens of Larbert High School for their must-reads.

We're all about advice this week, and Candy Gourlay is happy to contribute. She's just made her first virtual author visit using Google Hangouts, and her blog post provides a guide as to how easily you can use the same technology.

Nick.


A SCBWI member since 2009, Nick Cross is an Undiscovered Voices winner who writes children's short fiction for Stew Magazine.

Sunday, 16 November 2014

How's Your Word Count?

Everyone knows November is National Novel Writing Month. (How are your words?). But did you know that it's also National Non Fiction November?  'the whole month now celebrates all those readers that have a passion for information and facts and attempts to bring non fiction celebration in line with those of fiction.' To join in with the Federation of Children's Book Groups' 'annual celebration of all things factual' we have some posts on a non-fiction theme.

If all goes to plan our first will be tomorrow. I have a terrible feeling I agreed this for last week  but I had a laptop meltdown just before the conference and emails I was sure I had have disappeared - another #mysteryoftheInternet.

Isn't Nancy doing a great job?  I'm so grateful for her stepping up. Here's her last week's editorial in case you missed it. Nancy is looking for thoughts on year three's monthly themes - if you have any thoughts about what you'd like to see in W&P please do get in touch at editor@britishscbwi.org.

I'm so looking forward to our Advent Calendar this year. Paul has a beautiful collection of seasonal illustrations - thank you illustrators!  After this month of many words, get your microfiction brains in gear for tweetable stories  to go with them. As last year, we'll be inviting these in the December post comments and then tweeting them!

This week Candy celebrated Piers Torday's Guardian Children's Fiction Prize win - thank you Candy and again congratulations to you for being among such a select list of nominees!

Last week we celebrated Anne-Marie's SCBWI Outstanding Contribution Award and today I'm so pleased  to be able to share the video of Anne Marie receiving it!



Here are the other highlights from last week you may have missed:



Coming soon:

  • Some non-fiction thoughts from me 
  • An interview with Melvin Burgess from Philippa
  • A report on the Conference Non-Fiction Panel from Anita
  • A conference report on the Writing for Reluctant Readers session from Janet
  • A new ProCatsination from Jion

It's week three, Wrimos! In theory this should be the home stretch but more likely the quagmire of the muddled middle - head up and keep going!

I'm 8000 words behind.

Hey ho, hope it's a great week anyway,




Jan Carr



Jan Carr is the editor of Words & Pictures. Her fiction is all over the place, she blogs occasionally and loves to write in magenta. You can contact her at editor@britishscbwi.org.

Thursday, 13 November 2014

Illustration Showcase and Conference Roundup


This year's SCBWI conference in Winchester was tremendously inspiring for book creators of all kinds, and notably so for artists. As this year's Illustration Showcase gallery goes online, here's a roundup of what happened for illustrators.




"Creepy Scrawley" Halloween Sketching


This year's Winchester Conference took place on 1st-2nd November. On one of the warmest Novembers on record, illustrators got off to a good start with an open air Halloween sketching activity before the Conference run by Paul Morton. Participants were given random spooky phrases to illustrate, and although I could only stay for a short time I had the chance to see a lot of suitably spooky sketches. 

A hat full of topics and one of Paul's sketches (photo's © Paul Morton)


2014-2015 Illustration Showcase


Once the doors of the Conference opened we were treated to the first delight - big congratulations to the 24 artists selected to participate in the 2014-2015 Showcase Exhibition! This year we were overwhelmed by the amount of quality entries and it was a tough decision for the judges to select the final shortlist. The selected pieces generated a lot of interest from the conference-goers and faculty alike, many prints ordered by attendees, raising an impressive total of £580 for the charity War Child. 

All the images are now visible online in the web-gallery.

Part of the Showcase
The showcase will be touring across the country over the next year. Check the SCBWI British Isles website and social media for updates on the locations and dates as they develop.

Keynote Speaker - Nick Butterworth


Our illustrator's keynote this year was acclaimed author/illustrator Nick Butterworth, creator of Percy the Park Keeper, Q Pootle 5 and a host of other bestselling characters. I think everyone who attended will agree that he was a simply marvellous presenter, entertaining, in depth and revealing. On the central stage Nick gave a fascinating and very funny relation of his career, the inspirations for his bestselling books and how they were developed. In a second Q & A session he went into more fascinating detail of the issues faced in developing stories for animation and his art techniques, including the joyful news that his favourite drawing paper is back on the market after years of unavailability. These are the kind of details that illustrators love to hear!


Nick Butterworth in action (photo © Candy Gourlay)
If you missed Mike Brownlow's fascinating interview with Nick read it here.

Illustration Panels & Workshops

The weekend workshops got off to a fine start with an Industry Panel discussion on the state of publishing for picture books, featuring Louise Jackson (Walker), Sam Arthur (Flying Eye), Eric Huang (Made by Me) Jude Evans (Little Tiger) and agent Penny Holroyde. Hosted by Mike Brownlow, the discussion was a fascinating coverage of the current state of publishing and market for illustrators, with each panelist explaining their processes of selection, preferences and thoughts regarding the future. 


The Picture Book Industry Panel
There were two workshops which focused on picture books at the Conference.  The first was run by the wonderful Paul Stickland teaching the art of the pop-up book. Participants were guided through the stages of engineering and technical challenges presented by pop-ups, and over the course of a day created their own sample characters. 

Creating pop-up books with Paul Stickland (photo © Bridget Strevens-Marzo)
At the same time, illustrator Mike Brownlow joined with publisher Jude Evans of Little Tiger Press to host a workshop on developing picture book plots. Participants were split into teams of three and given a series of suggested prompts to form the basis of story ideas. Each group was encouraged to use teamwork to develop stories, and at the end everyone presented their ideas and work, some of which were really excellent. 


Member of the Year


One of the most fantastic bits of news at the Conference was that Anne-Marie Perks has won the Member of the Year Award. The announcement took place at the height of the Saturday evening party. As Anne-Marie is currently out of the country, conference-goers were entertained by a recorded video interview. Anne-Marie has dedicated years as Illustrator Coordinator for the British Isles chapter, initially working alone, organising and promoting activities for artists within our chapter. Now, with a support committee of dedicated volunteer illustrators, things are developing even further for illustrators in SCBWI. This is all thanks to the dedication and hard work of our Illustrator Coordinator. Well done Anne-Marie

A video of Anne-Marie accepting the Award from Loretta Schauer was broadcast at the Conference.
The prize plate! (© Anne-Marie Perks)

Illustrator One-to-One Reviews 

There were 20 minute individual illustrator reviews available with one of five industry professionals:  Jude Evans of Little Tiger, Penny Holroyde of the Caroline Sheldon Agency, Louise Jackson Art Director at Walker Books, Sam Arthur publisher of Flying Eye and Nobrow and experienced author-illustrator Mike Brownlow.

If illustrators and author-illustrators need some objective and positive advice about where to go next with their work, a personal review is well worth the extra cost.

Competitions


All submitted works and portfolios were examined and selected by the faculty of agents, editors and publishers at the Conference. This year's conference competition winners were:

Melany Pietersen for Best Portfolio, selected at the open portfolio display. 


Melany's submission for the Showcase

Jion Sheibani in the "My Creative life" comics competition, for her comic series "ProCATsination", currently being serialised on Words & Pictures.



Congratulations to everyone involved in Winchester. It was a marvellous conference with excellent presenters and some fantastic artwork on display. The Conference was full of inspiration for illustrators, both those starting out and seasoned professionals. 

Check the British Isles page on the SCBWI website to keep up to date with more exciting Illustration Masterclass workshops over the coming year. If you'd like to get involved with illustration activities in SCBWI, volunteer for the illustration committee, or write illustration features for Words & Pictures, get in touch!

Friday, 7 November 2014

Congratulations to Anne-Marie, an Outstanding SCBWI Volunteer!

@annemarieperks
It is such a joy to wish many many congratulations to the lovely Anne-Marie Perks, who has won this year's SCBWI British Isles Outstanding Contribution Award!

The Outstanding Contribution Award recognises a special volunteer, somebody who embodies the welcoming and supportive spirit of SCBWI and has made an outstanding contribution to shaping and growing our chapter.


Anne Marie has been firmly putting the I in SCBWI since it first took root in the British Isles. 

As Illustrator Coordinator she has worked tirelessly to promote and champion the contribution of the illustrators in the chapter.

Anne-Marie has created a successful series of events and opportunities for illustrators including the long running illustrator Masterclass series, the innovative Picture Book retreat and of course the Illustrator's side of the conference. She is a careful organiser keeping her smile and an open mind as she manages the difficult balance between work deadlines and the demands of an increasingly active illustrator membership.

It is thanks to her that illustrators continue to remain part of the heart of SCBWI

She also manages a small but steadily growing team of illustrators who share her vision.
In the spirit of this award, Anne-Marie is also generous with her time, experience and knowledge with a range of members, while working as a professional illustrator and a university lecturer. Not only that, Anne Marie also brings Words & Pictures readers the wonderful featured illustrators who make W&P so splendid!

It is thanks to her that illustrators continue to remain part of the heart of SCBWI.

Thank you Anne-Marie for all the years you've made an outstanding contribution!

At the conference, Anne-Marie was presented with her award in the best Oscar style - by video! We hope to embed the video here just as soon as we've tracked it down. So very soon please do watch this space!


Thursday, 18 September 2014

Exploring Other Income Streams for Illustrators - Branding and Licensing with Helz Cuppleditch

An area that has always attracted children's illustrators who wish to expand their market beyond books is Branding and Licensing. Recently Helz Cuppleditch, a veteran of working with the licensing trade, gave an in depth presentation to our Illustrator Masterclass, as Anne-Marie Perks reports.



‘Draw a snowman,’ was our first instruction for the Illustrator Masterclass last Saturday on the 13 September at the House of Illustration. This instruction began a back and forth process between talking about how Helz works, developing collections for her clients and having a go at it ourselves. I imagine that there were at least 20 different snowmen that day between those who were attending the masterclass and our volunteer helper assigned to us by the House of Illustration.

Helz Cuppleditch
“The list is endless,” Helz tells us, pointing out all the imagery and design work on all kinds of surfaces and products.
Helz Cuppleditch licenses her work with clients all over the world, working closely with her American agent, Suzanne Cruise. Suzanne is an artist herself who worked as a staff illustrator with Hallmark and can art direct and help develop successful lines for their clients. Helz has served as director at the Association of Illustrators. She has licensed her illustrations for numerous products and surfaces, including home-ware, fabric, paper-craft, cross stitch, wall art and nursery décor, to leading clients in the UK, Europe and the USA. Helz has also been a speaker or moderator at seminars at the Branding and Licensing Fair in London and given talks and workshops at schools.

 


Back to Saturday. Like all projects, it starts with a sketch. Very often Helz may be given a theme by her client or she may work on one based on her love of nature. From these first sketches, Helz develops a colour swatch reference that stays in front of her through the whole process. These same swatches will also be on the final presentation of the collection to the client.

The instructions that followed mirrored in a brief way the process Helz goes through with every collection. Next we were asked to put some kind of setting behind our initial sketch, then pull out up to 15 elements that could be worked up into different designs and create detail and continuity in the collection. From these elements will come repeating patterns and icons that are worked up into templates for the client.

A professional example: presenting a collection to a prospective client.
 At one point in the afternoon, Helz showed us how she produces her digital files for repeating patterns on paper! I found several tutorials on making repeating patterns for textiles and paper products and recommend this one. If you are unaware of skillshare.com, look into it!

The above led to a conversation on the digital aspect of preparing the artwork. Many illustrators are aware of scanning their files in at 100% at 600 ppi (pixels per square inch) and the differences of working in RGB and CMYK colour modes. As the computer is another art tool, just as we discuss papers, pigments, brushes and other fascinating art making materials, the digital realm does the same thing. Yes, you do work in layers to allow for the most in flexibility and ease in developing a variety of elements for the collection and characters that might inhabit the theme.


Helz at her stand at the Branding and Licensing Fair in London.

There are several major fairs and trade shows around the world to get to prospective clients. Coming up is the Brand Licensing Europe Fair 7 - 9 October in Olympia, London.
Agents who work with branding and licensing attend important trade shows and fairs to sell their artist’s collections. Having a presence is very important for making these connections and getting your designs out there just as it’s important for any other area of illustration work. Helz has had a stand at London’s Brand Licensing Europe Fair for the last three years saying that now she more than earns back her costs in being there. She highly recommends that if you are new or considering working in this area, make a point of going to Brand Licensing Europe Fair and meet artists already doing this work and see their stands. Be careful, you could be like me and be so inspired and enthusiastic about the possibility of selling in this way that you could be enticed to sign up for a small stand at a great discount before you even know if your work is conducive to this area!
We pushed our time at the House of Illustration until 17:30 to get all the reviews in!
We ended this information filled day with Helz giving feedback and advice to all the attendees on the potential of their work being ready for or having potential to sell in this aspect of illustration work. One characteristic of all of the Illustrator Masterclasses is the slowness of people wanting to leave! Maybe it’s a testament to the solitary nature of our work that when we do get away from our drawing tables, we want to extend it as long as possible. My favourite comment of the day was, “Can we have all of our Masterclasses here please? I feel like a proper professional!”
Helz was very generous with her information and feedback and extremely knowledgeable in this area of work for illustrators. She made it known that she mentors illustrators with promise from time to time and is committed to giving back to the creative community. If entering into a mentorship with Helz is something you are interested in or you'd like to look through the collections Helz creates, check out her website


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Anne-Marie Perks is the Illustration Coordinator for SCBWI British Isles.

Monday, 12 May 2014

Ten-Minute Blog Break - 13th May

I was a little worried this week that no-one would have written blogs, due to the two different writing retreats over the weekend (one of which I was at). But luckily, our SCBWI bloggers haven't deserted the internet entirely!


Birthdays can be a time not just of celebration, but also ambivalence (I know this feeling because I have one myself later this week). Nick Cook's Cloud Riders had its book birthday last week, and he perfectly expressed his mixed emotions on his blog. When you've worked on a book for seven years, publication can feel like your child is leaving home.

I'm always pleased to discover new SCBWI member blogs, so it was a treat when Liz Flanagan sent me a link to hers. Liz is both a published writer and a coach, so her artfully composed posts range from this inspiring look at an outdoor children's storytelling event (which is full of neat activity ideas) to a post on dealing with a creative knockback.

Anne-Marie Perks has been filling her time between projects by taking an online course in Visual Storytelling. Despite (or possibly because) she was the only student, Anne-Marie gained a huge amount from the course and shares it with us in a detailed blog post.

Finally, if you'd wondered why England was feeling a bit quiet recently, it's because Sarah McIntyre was out of the country! Sarah took her large collection of hats and terribly understated clothes (ahem) on a tour of schools in Spain, and you can read about her experiences on her blog.

Nick.


A SCBWI member since 2009, Nick Cross is a former Undiscovered Voices winner who currently writes children's short fiction for Stew Magazine, the May issue of which is out now!

Monday, 10 February 2014

Ten-Minute Blog Break - 11th February

It's nice to emerge from my hermit hut for a quick blog-reading break, as I've had my head down writing this last week. It's kind of weird not blogging myself at the moment, but also great to be spending so much more time in the world of my story.


Despite my current productivity, reading Julie Day's review of her 2014 writing goals made me feel positively slothful! It's great to see Julie following through with this and using the monthly SCBWI goal-setting brunches to stay on track.

There seems to be a motivational theme in the air, because Kathy Evans is sharing Eight Ways to Trick Yourself into Writing (BTW Kathy, I agree on gateway techniques - mine is taking a fifteen-minute walk every day before I start writing). Bryony Pearce, meanwhile, has the opposite problem, because she's stuck at the Procrastination Station and finding a myriad ways to prevent herself from writing! Perhaps these two should compare notes?

Another pair of posts turned up at Big Little Tales. In the first, Trish Phillips tells us about her trip to the Houses of Parliament as part of the "Born to Read" campaign. In a very different blog post, Anne-Marie Perks shares some colour roughs from her wordless picture book on domestic violence, showing how she creates drama through careful composition. The pictures certainly made me wince, which I guess is rather the point!

As creative people, we sow seeds all the time, without knowing if they'll bear fruit. A case in point is Nick Cook, who was one of the most enthusiastic attendees of the Transmedia session I ran at the 2012 SCBWI conference. Nick has really taken the idea of Transmedia and run with it, and the very tip of the iceberg is the amazing first teaser trailer for his forthcoming Cloud Riders opus. Strap in, people - I think we're in for a thrilling ride.

Nick.


Nick Cross is a children's writer, blogger and all-round techno-ninja. In 2010 he was a winner of Undiscovered Voices with his zombie comedy Back from the Dead and currently writes short fiction for Stew Magazine, an event that was recently celebrated on this site.

Monday, 16 December 2013

17th December - Anne-Marie Perks

#W8PAdvent

  See the whole image and the growing Advent Gallery here.



Do you have a Tweetable micro story for
Anne-Marie's illustration?

Post it in the comments and we'll tweet it with #W8PAdvent and your Twitter handle

Don't forget to allow for the # and the @



Monday, 11 November 2013

Ten-Minute Blog Break - 12th November

Due to a scheduling mix-up on my part, we came about this close to not having a Blog Break this week. But it's OK, because no-one needs to know. Oh, wait - did I just say that out loud?



Continuing the comics theme from last week, Dawn Finch came up with this gem of a post. As both an author, librarian and owner of a cat named after a comic(!), Dawn puts the world to rights about graphic literature and its power as a "gateway drug" to lifelong reading.

Lorraine Gregory's latest post comes with a clear disclaimer: "the author accepts no responsibility for any harm that comes to you or others through using these techniques." What techniques are these? Well, Lorraine has developed a range of philosophies that writers can adopt to make their lives easier. Are you Superstitious Extremus or Optimism Overloadus? Find out here.

Jane McLoughlin's been practising her "no marking" dance this week. That's because, as an ex-teacher, when she goes to a school nowadays she doesn't have to judge the students, just enjoy their company. That's why she's blogging In Praise of Author Visits.

Writing a book without words sounds hard enough, but telling a wordless story about domestic violence for a special needs publisher would be way beyond my skill set. Fortunately, Anne-Marie Perks is more than up to the job, and her Big Little Tales post gives us a window on a creative process that is unusual, fascinating and rewarding.

Finally, Mark Jones is at it again, and as usual I've no idea if he is a genius or just a bloke in a hat who should get out more. But if you've ever wondered where awesome ideas come from and how to have more of them, Mark's your man. Probably.

Nick.


Nick Cross is a children's writer, blogger and all-round techno-ninja. In 2010 he was a winner of Undiscovered Voices with his zombie comedy Back from the Dead.

This week on his blog, Nick outlined his Achievement Points system for making rejection fun! (OK, almost fun)

Thursday, 3 October 2013

Linocut Class: Anne-Marie Perks

Anne-Marie Perks
Inspired by print artist and illustrator Gerry Turley facilitating at the SCBWI Picture Book Retreat this summer, I decided to learn more about lino cut and printmaking. This became part of my own professional development plan that I set myself every year. Sometimes it’s about learning a new skill I need to have for illustrating, animating, or storytelling, or it’s something completely different to shake things
up a bit.



Printmaking isn’t new for me. Like many of us who went to art school, printmaking was one of our required classes. I do remember having lots of fun back then doing monoprints, collagraphs, linocuts and etching. It was a while ago now. When I saw that Nick Morley was offering a three day intensive at the Art Academy at London Bridge, I had to go!  See what I learnt here!

Monday, 30 September 2013

Ten-Minute Blog Break - 1st October

For a while, this post was called "Lino Sniffing", which would certainly have looked interesting up there on the main page! But although I've bowed to convention with the title, you'll still find plenty of fragrant delights in this week's Blog Break.

Some advice falls on stony ground, and so it was with my suggestion to Rosie Best that she come up with different names for each of her blog posts. Rosie is up to Things and Stuff #13 now, and with her debut novel Skulk soon to be released, it's a good time to catch up with her. Along with the obligatory box of books photo and details of her launch party, Rosie also gives us a useful round-up of links from her blog tour and gets excited by a photo of Meryl Streep in a tree (no, I am not making this up).

Someone else rocking a blog name series is Mark Jones, who brings us Amazing Writing Advice #24: The Secret of Synopsiseses. I mean sinopsyes. Or synopsisis. Or something like that.

Space on the Bookshelf are doing another of their intensive 3D book review features this week, examining Anthony McGowan's novel Brock from every possible angle. The book is designed for dyslexic and challenged readers, so Sally Poyton (a dyslexic herself) kicks off by interviewing Anthony with the help of a teenage reviewer. Other features will follow later this week, including detailed reviews of the book and an interview with Anthony's editor.

Finally, I suppose I should come clean about the lino sniffing. This is what Anne-Marie Perks does to find out whether her piece of lino is in prime condition to print from. Anne-Marie has blogged at Big Little Tales with lots of beautiful images from her recent linocut course, but sadly no scratch and sniff. My campaign to make every post on Word & Pictures smell of chocolate starts here!

Nick.


Nick Cross is a children's writer, blogger and all-round techno-ninja. In 2010 he was a winner of Undiscovered Voices with his zombie comedy Back from the Dead.

This week on his blog, Nick's taking a long hard look at his life and wondering why it constantly feels like he's Spinning Plates.

Thursday, 12 September 2013

The Picture Book Retreat

In July, SCBWI British Isles held its first Picture Book Retreat. It was an amazing weekend for the writers and illustrators who came along to Holland House in Worcester.

The Retreat’s organisers, Bridget Strevens-Marzo and Anne-Marie Perks had set one main criterion – a place to encourage creative exploration in the inspiring company of other writers and illustrators. Other criteria were a beautiful venue with plenty of space and great food. Holland House fulfilled them all.


Helen Stephens and Gerry Turley inspired with their stories, and by talking through the work process. They emphasised drawing from life and the need to nurture your creativity. Sarah Frost, commissioning editor from Hodder books, and Alice Bartosinski, commissioning editor from Egmont, shared not only their understanding of our industry but helpful insights into it.

As pictures say so much more than words, we’ve included a selection here.


It all started here, at Holland House in Worcestershire. 



When illustrating a Michael Murpurgo book, Jo-Jo and the Melon Donkey, Helen had to go to Florence!
An example of the beautiful sketches done while there.



Helen Stephens, author illustrator, talking about drawing from life and how it inspires stories.
These are sketches of the dog that inspired, Fleabag.



Storyboard from Helen’s book, Fleabag.



All of us in the lovely conference room at Holland House.
Large windows opened up to a large sloping lawn and flower borders.



Gerry Turley shared his large sketchbooks on a book he is working on, about a bear for Schwartz and Wade publishers. He also shared his prints and sketchbook on his first book, Woooo, with David Fickling.



Alice Bartosinski had us make a list from the picture books she set out as to which ones we thought sold the best. Here we are happily doing our best to figure that out. The results were very interesting! 

We filled every room available at Holland House and had a great time, learning, sharing and supporting each other in the craft we all love. The most frequent comments were 'Thank you!' and 'When are we doing this again!'



Since a child, Anne-Marie has loved to draw, paint and ‘make stuff’. She now works as an illustrator, artist, animator and designer. She is a very active member of the SCBWI family. You can also find her on the Words & Pictures team page.

Wednesday, 11 September 2013

Craft Book Review: Becoming a Successful Illustrator

Reviewed by Anne-Marie Perks

Becoming a Successful Illustrator, Bloomsbury, by Derek Brazell and Jo Davies, is a well designed, clearly laid out book on what it takes to become a working illustrator.

Derek and Jo have a long history working in illustration and met as board members of the Association of Illustrators (AOI), developing first the journal and then later launching the award-winning AOI magazine, Varoom in 2006. Jo Davies also holds the position of Associate Professor in Illustration at Plymouth University. This is not the first book on which the authors have collaborated, Making Great Illustration, A&C Black, came out a few years ago.

The book opens up with the elastic nature of illustration, crossing into many applications in the image heavy world we live in. This is good news to those practitioners just entering this broad field as well as those long time illustrators who are always looking for different income streams for their work.

Illustrations represented throughout the book include traditional to digital, editorial to advertising, product to visualising and concept, paper to screen, film to toys, motion graphics to animation, and to publishing of all kinds. This is not a book concerned with only one way to work as an illustrator, and I wouldn’t say that this is a book only for beginners.


Children’s Books

Rich visuals cover almost every page in this informative book, giving the reader a slice of the work produced by great contributors. The range of illustrators shown include those you may know, such as David Roberts, Luke Pearson and Zachariah OHora, to many you may not and wouldn’t be a bad idea to get to know.


The Professional World of the Illustrator

After having your eyes opened up to how broad and encompassing this field is, the reader is taken into the world of a professional illustrator and what it entails. Many of these things have not been addressed in art school, leaving graduates glazed over with the prospect of where to start and how to break in. It may surprise the reader that attributes like; reliability, good communication, confidence and the ability to be calm, are emphasised as important to professionalism.


Casestudy

Beautifully designed, a multicolour strip runs along the top of each spread, giving the reader a visual bookmark. The text is easy to take in with clear subheads, three column format, bold underlined quotes and toned panels for the ‘Spotlight On’ pages.


Contracts

Activity Pages

Other areas covered include associations, networking, self-promotion, contracts, rights, working with an agent, client relationships, and the list just goes on. Living up to the book's title, there's everything a successful working illustrator needs to know. Of note are the Activity Pages that help you look critically at your work, skills and where in the market your work fits in, along with promotion strategies, fees and costings. These pages are set up to allow the reader to use as workbook pages. Not to be left out of course, is the area of finance and taxes.


TABLE OF CONTENTS
Chapter 1 - Illustration enterprise, an overview of illustration and what is needed to work as an illustrator (includes illustrator spotlights)
Chapter 2 - The professional world of the illustrator (includes spotlight on Penguin Group USA)
Chapter 3 - The art of self-promotion (includes spotlight on Choi Liu)
Chapter 4 - Getting your work seen (includes spotlight on Ulla Puggard)
Chapter 5 - Securing work (includes spotlight on Caroline Attia Larivière)
Chapter 6 - Finance and running a business (includes spotlight on Laura Hughes)
Activities and Appendix 




Anne - Marie Perks is a published children’s book illustrator of several books who has also worked in editorial, advertising, and product illustration as well as storyboarding and character design for agencies. She has served as SCBWI Regional Illustrator Coordinator in the British Isles since 2001.

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