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Tuesday, 24 December 2013

25th December - Bridget Strevens Marzo

#W8PAdvent


to all our readers & contributors from

 and the

Words & Pictures Team

Thank you to all the wonderful illustrators and writers who have contributed to our


Words & Pictures Advent Calendar

You can see the whole calendar here
and all the Advent posts with a wonderful collection of seasonal micro fiction here


We're taking a short break over the holidays
and will be back on


Friday 3rd January 2014

with a brand new banner and featured illustrator!
Have you New Year Resolutions ready!



Jan Carr is the editor of Words & Pictures. Her fiction is older middle grade, she blogs occasionally and loves to write in magenta. You can contact her at editor@britishscbwi.org.

Monday, 23 December 2013

24th December - Layn Marlow

#W8PAdvent
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Sunday, 22 December 2013

23rd December - Catriona Tippin

#W8PAdvent
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Nearly there...

We started this month with a ticking clock and as in all gripping stories the more intense the pressure the closer we get to midnight - yes, I'm still busy in Santa's workshop trying to make friends and family presents for a less high street Christmas.

The Advent Calendar has ben wonderful and the Tweet stories, brilliant. Check out #W8PAdvent on Twitter or look back here on the W&P. There are three more images to go, which means yes we do have something for Christmas Day!

Thank you to Natascha for her post in this slot last week. In case you missed anything over the last fortnight, with blog breaks, celebrations and news we've also had
from


Very best wishes for a Very Merry Christmas and a happily story-filled New Year!
See you 2014


Jan Carr

Ok, back to the sewing machine…
There are two more days to shop, right? If absolutely necessary?


Jan Carr is the editor of Words & Pictures. Her fiction is older middle grade, she blogs occasionally and loves to write in magenta. You can contact her at editor@britishscbwi.org.

Saturday, 21 December 2013

22nd December - Clare Tovey

#W8PAdvent
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Friday, 20 December 2013

Christmas has come early for Tatum Flynn!


Well, Christmas has certainly come early for Tatum Flynn!  Take a break from the mania of late night shopping and wrapping paper to raise a glass of mulled wine in honour of Tatum and her two book offer with Orchard Books!


So where did it all begin?

Tatum decided that writing was the career for her at the early age of seven but has in the past worked as a croupier on cruise ships in the Caribbean, as a travel magazine writer, an English teacher in Italy and as a poker player travelling the world, "lying to people for profit" as she puts it! 
But during the of winter 2012/2103, Tatum sat down to write Brimstone for Breakfast.

"Brimstone for Breakfast is a children's novel about Lucifer’s youngest son, who is hopeless at being evil, and the funny and crazy journey across Hell he’s forced to undergo. It features a little ninja girl, a Stardust-addicted vampire bat, a dangerous underground library, a demon sloth, and the scariest carousel horses you will ever meet." 

Then in May the next year Tatum went on her first ever SCBWI retreat. She says:

"I had high hopes, and I wasn’t disappointed: I met lots of lovely writers, ate a bit of cake, drank more than a bit of wine, learned a lot, and even joined in a pyjama party. By the time my meeting with the editor came round on the Sunday, I was just hoping she wouldn’t hate my writing and rain on my parade, because I was having so much fun." 

 What she got was much better. Expecting the promised critique, Tatum was gobsmacked when the editor launched into a flurry of compliments and made Tatum promise to send her the full manuscript. Tatum says "I accepted as quickly as I could before she changed her mind". However, fast forward a couple of months and Tatum had both failed to hear back from the editor and failed to find representation with an agent. After nearly a hundred queries Tatum was close to giving up on Brimstone and move onto the next book. She took herself off on holiday to France, and began writing a new story; "I tried to be optimistic, but rejections kept pinging up on my phone, cackling evilly at me and reminding me how much I sucked. At the end of the week, I sadly boarded the train home". But there was a not-so-little light at the end of the Euro Star tunnel!

 "A little outside Paris, magic happened: An email pinged up on my phone, but it wasn’t a rejection. I stared at it, then stared some more. It was the editor from the SCBWI retreat. ‘We would like to invite you to our offices to meet the editorial team,’ it said. ‘We are enthusiastic about your manuscript.’ If I’d been in a movie, bluebirds would definitely suddenly have appeared." 

In the weeks that followed, Tatum describes how her good luck continued. She received several agent offers and decided on the brilliant Zoe King of The Blair Partnership (JK Rowling’s agency!)’. Here’s what Zoe King said about Tatum’s novel:

 "Tatum’s submission hit me between the eyes: highly original, full of imagination and heart and with characters to fall in love with – her manuscript has masses of appeal. She’s naturally talented and in the right hands will be a great success." 

In a few meetings and weeks later, Tatum had a two-book offer! And we are thrilled to celebrate, thanks in no small part to SCBWI, that Brimstone for Breakfast will be published by Orchard Books in 2015, with a sequel to follow! Who says evil doesn’t pay? ...But best stay on the nice list just in case though!

Tatum can be found (way too often) on Twitter, and also on her website.



Clare Welsh joined SCBWI in February 2013 after her marriage to her lovely husband James was under threat from constant chunterings, questions and readings aloud over the football.  She is thoroughly enjoying all that SCBWI has to offer, including helping Tania celebrating SCBWI successes, and is pleased that her marriage is still firmly intact.

December 21st - Sally Rowe

#W8PAdvent
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Thursday, 19 December 2013

20th December - Kate Shannon

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Wednesday, 18 December 2013

19th December - Anna Violet

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Network News: A Story for Christmas

Gill James 
Once upon a time there was a lonely writer. She slaved away, on her laptop, on the corner of the kitchen table, fitting in as much writing as she could between working part-time at the accountant’s down the road and looking after her three primary-school-age children.
 It was very lonely and no one took her seriously as a writer. One day as she was surfing the net, trying to find some support for writers like herself, she stumbled across Words and Pictures.
This is really interesting, she thought. She signed up so that it would drop into her mailbox every day.

 A few weeks later she noticed that almost every Thursday there was an article about one of the local Networks.
That sounds so helpful, she thought. But she realised that to join a network she would need to join SCBWI. And she couldn’t quite afford that.
 “Have you any idea what you would like for Christmas?” her husband asked a few days later.
 “Do you think you could buy me a membership for SCBWI? It’s $10 cheaper if you apply before the end of the year.
 “What the heck’s that?” She explained as best she could.
Her husband shrugged. “If that’s what you really want.”
As soon as her membership was confirmed she contacted her local Network Coordinator. They talked on the phone later that day. She seemed very nice.
“We’re meeting for coffee next Thursday,” she said. “Why don’t you come along?”

She had to do this. She really did. But it was a little bit scary meeting a bunch of strangers. She needn’t have worried, though. They were all incredibly friendly and it was good to be able to chat to people who understood about writing and illustrating books for children.
Later in the year she attended a Scrawl-Crawl and came home with an idea for a chapter book.
She went to a Goal-setting Brunch and promised herself that she would send out some of her finished work to three agents.

 She joined a critique group and learned how to give and receive useful feedback.
The highlight of the year was when she showed some of her work to an editor who had come to talk to their network group. Okay, she’d had to pay a little extra to have this one-to-one and she only been allowed to submit three thousand words but it had been worth it.
 “There’s still some way to go,” said the editor. “But this definitely shows potential. You must keep at it.”
The year flew past. She was still getting rejections but at least now many of them included an encouraging note.
 “It’s just a matter of time,” said her SCBWI network friends.
It was soon December again.
“There’s a lot of cards this year,” said her husband as they were putting up the Christmas decorations. There were. She’d made so many new friends this year.
“Do you know what I’m thinking?” he looked at her and grinned. “Now that you’re getting somewhere with this writing lark I reckon I could easily turn the attic room into a little writing den for you.”
 She smiled. “Yes please.”

 It really was beginning to happen. Next step: when he introduced her to his new boss at the work’s do the following week would he say “She’s a writer.”
Do you have a network story to tell? If so contact me on networknews@bristishscbwi.org

Tuesday, 17 December 2013

18th December - Emma Graham

#W8PAdvent

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Mummers, Old Horses and the Treasure Trove of Folklore

Ken Lymer



As winter descends upon us, it is that time of year with deep connections to folkloric traditions. 





The word ‘folk lore’ was originally coined in 1846 by the antiquary William John Thoms. During his time the ‘folk’ were considered to be illiterate peasants and their stories and customs were looked down upon as quaint relics of the past. By the late 19th century, however, the study of folklore became a serious field of scholarship and academics today consider it to be an important source of information about people’s lives. Moreover, folkloric insights can provide a valuable asset to writers looking to enrich the backdrop of their stories.


a local legend or folk tale can provide the writer with an intimate narrative of past events

Writers have also drawn upon folklore over the centuries through the common literary device of ‘a tale within a tale’. One example, in tune with the winter season, is found in Thomas Hardy’s The Woodlanders (1887) which relates a tale of two brothers who haunted King’s Hintock Court. They were exorcised by a priest but returned to the Court at the pace of a rooster every New Year’s Day – thus accounting for the local saying, “On new-year’s tide, a cock’s stride”. Therefore, a local legend or folk tale can provide the writer with an intimate narrative of past events presented in conversational mode. The narrator could retell the tale in a detached manner or it can be used to reveal a dark secret about a character. This use of folklore also creates different voices within the text, while additionally offering alternative points of view. 

Folklore can be used to accentuate important social issues of the day.

Folk tales and fairy lore present situations that confound and contradict the established order. This is exemplified by the ghost story, such as Charles Dickens’s A Christmas Carol (1849), where the belief in spirits is inevitably at odds with the rationality of a protagonist. This famous tale, however, also demonstrates folklore can be used to accentuate important social issues of the day.

Moreover, the use of legends and fairy tales provide exciting frontiers in writing which connect to the mysterious and fantastic. In his later article entitled Frauds on the Fairies (1853), Dickens additionally advocated fairy tales were vital to the utilitarian age of the 19th century which risked losing touch with the realms of imagination. 


by the 17th century the practise of mumming became associated with carousing in alehouses at Christmas. 

Yuletide is associated with the famous tradition of mummers’ plays. They are part and parcel of the folkloric experience of live performance entailing a different form of storytelling. In Britain, mummers are a small troupe of players who perform comical plays in the street, at people’s houses or in the pub. The term ‘mummer’ itself comes from medieval times and by the 17th century the practise of mumming became associated with carousing in alehouses at Christmas. A repertoire of written mummers’ plays emerged during the 18th century which followed standardised plots. Their heyday was the late 19th century up to the World War I as they were performed across the country from Cornwall to the Shetlands. 


it ( the story) was dynamically adapted to the circumstances of live performance

Mumming was a way for actors to raise money for themselves during Yule. Each village had its own troupe that performed a humorous variation of the mock battle between a hero (Saint George) and a scoundrel (Turkish Knight or Slasher). The slain hero was then brought back to life by a quack doctor. Other minor characters may also appear including Little Johnny Jack and his family on the back, Father Christmas, Beelzebub and Devil Doubt. There was no fixed structure to the story as it was dynamically adapted to the circumstances of live performance. These plays lacked any inclination to produce an authentic historical setting, as this was street theatre in its rawest form. 


©Ken Lymer

Another Yuletide performance features the Hooden Horse (Kent) or ‘Owd ‘Oss (Derbyshire, Yorkshire) and this was popular among particular counties during the 19th century up to the early 20th century. It entails a group of players interacting with a prop horse head which was made of a block of wood placed on a stick. It had a clacking jaw operated by someone stooping under a cloth. The troupe would sing a song about a dying Old Horse and provide comic scenes by trying to whip the hooden horse or mount the operator. 

In the 1720s it was recorded in the Isle of Man that May Day celebrations did not only involve the Queen of the May but also the Queen of Winter. The Queen of May was selected from the daughters of wealthy farmers, while the Queen of Winter was a man dressed in woman’s clothing. A retinue accompanied both Queens and these two opposing fractions engaged in a mock battle. A drag Queen of Winter provides a refreshingly different scenario to Santa and his sleigh. 

Folk sayings provide gems of creative inspiration.

Folk sayings also provide gems of creative inspiration. For instance, the old English word for pluck is ‘plot’ and is associated with adages about snow. In north Lincolnshire it was said that Th’ ohd woman is shakkin’ her feather poäke (her sack of feathers). Meanwhile, in Alnwick, Northumberland, it was sung, The folk in the eas’ is plotin their geese, An’ sendin their feathers ti huz. 

Sources of folklore are easy to find. Visit a library and pour over books in the local studies section. Trawl the web for different scholarly sites which provide public access to collections, such as the Folk Play archive of mummers’ plays. One could also join a society that offers public lectures and newsletters packed full of information like the Folklore Society of London, which was founded in 1878. Among its past members were the eminent fairy tale scholars Andrew Lang and Katherine Briggs, whilst today the author of the Discworld series, Terry Pratchett, is an honorary member. You do not have to be an academic to join, as anyone with a passion for folklore can become a member of this and other venerable societies. 


Folklore taps into traditions important to our creative expressions which can provide new meanings to the present, while harking back to the past. So, go out and discover the treasure trove of folklore and set your imagination on fire this winter season!  






Ken Lymer is an archaeologist and folklore enthusiast with aspirations of becoming a children’s book illustrator and writer. He has designed and illustrated teacher’s packs for schools (History Key Stages 1 to 3) ranging on topics from Celtic cauldrons and Roman bath-houses to Benedictine monasteries and the dissolution of Abbeys during late Tudor times. These also feature entertaining games designed by Ken including Dragons & Ladders and Tudor trump cards.

Monday, 16 December 2013

Ten-Minute Blog Break - 17th December

It's the last Blog Break before Christmas! Work seems to be winding down and I'm pleased to report that all of the important presents have been bought. So that leaves me plenty of time to peruse your posts...


Sue Hyams is chucking out her novel and starting again. But this is not a moment for wailing and screaming and gnashing of teeth, because Sue is perfectly happy that this is the right decision. She gives us ten reasons why.

As much as I try to resist it, that Candy Gourlay keeps creeping into the Blog Break! Apparently, she just can't stop writing terrific blog posts (what a problem to have). Regular readers may remember Candy's October visit to Ellis Guilford school in Nottingham. Since then, the Year Seven pupils have written Candy some fascinating, heartwarming and occasionally grumpy letters, and Candy's blog post presents us with snippets as well as her replies to their questions.

Jane Heinrichs is remembering her grandfather through a photo from the 1940s. How many stories can you tell with just one photograph? she wonders, in a post which is characteristically grounded and quietly inspirational at the same time.

Heather Kilgour has found inspiration too, at a Children’s Book Fair in Montreal. Some of these illustrators certainly sparked off a few ideas for me, and Clotilde Perrin's papercuts reminded me of the work of Philippa Rice, which brought me back to the interview with her on Sarah McIntyre's blog. Two totally different styles linked by a similar approach to freeing drawings from their 2D boundaries. Help! The characters are escaping!

I'm also escaping for a couple of weeks, but I'll be back in the New Year. Have a great Christmas and keep blogging :-)

Nick.


Nick Cross is a children's writer, blogger and all-round techno-ninja. In 2010 he was a winner of Undiscovered Voices with his zombie comedy Back from the Dead and currently writes short fiction for Stew Magazine.

This week on his blog, Nick meets a Sea Monkey and lives to tell the tale! Some real Funny Business.

17th December - Anne-Marie Perks

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Sunday, 15 December 2013

16th December - Holly Gattrell

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The Story of SCBWI British Isles


This week I'm really pleased to publish Natascha Biebow's inspired opening address from the conference. Here it is as she delivered it, on the  morning of Saturday 23rd November 2013.

Over to Natascha...





'This conference’s theme is creating stories that last a lifetime, so I wanted to share with you today a bit of the story of SCBWI British
Isles.

It began in 1995 when the first RA, Gloria Hatrick, decided to start the British Isles chapter. A small group of like-minded members met bi-monthly in London. At that time, SCBWI BI was very small, with fewer than 20 members. They launched a newsletter, Words & Pictures, edited by E. Wein, the ARA.

We also did fun things like go punting on the Cherwell in Cambridge . . . where we exchanged mss over a picnic and went to member Jose Patterson’s house for tea and cakes afterwards . . .


I took over as RA in autumn 1998. In 2000, we organized an exchange with SCBWI France, where we hosted Shoo Rayner and visited the Lion and Unicorn Bookshop and an exhibition at the British Library. I went to my first LA conference in 2001 and we hosted an ideas exchange after my return at Gloria’s house.

In 2002, we held our first Writers’ Day in Winchester with keynote Geraldine McCaughrean. At that point, I organized it all from my kitchen table. We also began organizing an Illustrators’ Day in different parts of the country. In 2008, we combined the two and added the Saturday night Mass Book Launch, complete with music, cake and industry guests! Here is what we look like at the MBL party in 2012 with honoured guest SCBWI Executive Director Lin Oliver from LA.

The British Isles region launched the Professional series in 2005 at a member’s house and it was held in people’s living rooms for three years before we could afford to move to a bigger venue. The Networks started in 2006. From then, we have grown so much!

The SCBWI British Isles is the largest region outside the USA and it is known for being innovative. Here are some ways we have made things more exciting for our members:

Our newsletter, Words & Pictures, grew from its original b & w quarterly print publication, edited first by E Wein, then by Eileen Ramchandran and Stephanie Williams. In 2002, a new enthusiastic editor, Leila Bouri, transformed it into a dynamic, thriving quarterly A4 format magazine, with a colour and a slick, new look. She added departments and in-depth interviews in the style of a magazine and, most importantly, sought to reach out to SCBWI BI members and create an active community. In 2010, then SCBWI-BI webmaster, Candy Gourlay, dreamt up the idea of an innovative, interactive online magazine. In 2012, we recruited its visionary new editor, Jan Carr, winner of the 2013 OCA. W & P was re-launched in March 2012 as a blog magazine. It is AMAZING (that’s why you’re reading this!), featuring innovative content every day and building a community of people who are interested in children’s books. The second project for which our region has become known is the Undiscovered Voices, project, which has put SCBWI BI on the map with publishers and agents. In 2014, it will launch its fourth edition, including European authors and illustrators and marketing the book to US publishers. This projects’ track record is incredible!

Thirdly, we have a fantastic website that is constantly innovating. When SCBWI recently re-launched its website so that all the international regions are under one banner in November, we were lucky to have web-guru Candy Gourlay at the forefront of the SCBWI BI site re-design. The new international site features lots of cool new benefits for members, including a searchable speakers’ bureau for schools and libraries wishing to book our members, plus an illustrators’ gallery, which will be a great resource for Art Directors. The British SCBWI website offers members a fantastic way to find out all about our events and member services. Be sure to update your member profile pages and add your books to the bookshop as these features are only as good as our members’ updated content! You can upload images, videos and links to your pages.

So, how do these and other events and initiatives for our members happen? They are ALL put together by volunteers, who put in their time and energy, ideas and enthusiasm to innovate and organize our events. I was recently reading Chitty Chitty Bang Bang Flies Again. This is the illustration of what the car looks like when it is in bits. Overwhelming, huh? It looks like a bunch of bits that would never amount to anything . . .


Well, here are all the ‘bits’ that make SCBWI British Isles work, currently. Over 70 volunteers!


And here’s why some of them do it.

There are currently 17 vacancies for volunteer roles, big and small:

So, we launched a volunteer drive. For each role, there is an advert with a bit more about the position and the benefits SCBWI BI is offering.

Here’s what Chitty looks like whole – amazing!



And if you look all around you, you will see what SCBWI British Isles looks like whole, too. Chances are a volunteer made that happen. To keep growing, we need you! Ask about volunteering today.

Applications should be in by Saturday, 21 December.



Natascha Biebow has been the SCBWI Regional Adviser for the British Isles since 1998. She celebrated her 15th Anniversary at this year's conference. Not only has she given incredible service to the British Isles Chapter she is also a talented writer, and highly skilled and experienced editor running her own consultancy, Blue Elephant Story Shaping.

Saturday, 14 December 2013

15th December - Sue Eves

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14th December - Amanda Lillywhite

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Friday, 13 December 2013

Congratulations UV longlist-ers!

So the moment we've all been waiting for has finally arrived and it's time to crack open the champers and dig into a whopping slice of cake to celebrate the Undiscovered Voices longlisted writers and illustrators. Twenty seven writers and eight illustrators were selected from over 200 submissions from SCBWI members in Europe. What an achievement!

The twelve novel extracts and five illustrations that will appear in the anthology will be announced in early January.

We're especially dancing-around-the-room excited at Words & Pictures that our brilliant Features Editor Katrina Charman and Regular Contributor Georgina Kirk made the longlist.... Yay!!

And for those of us who didn't make it - myself included - let's remember that plenty of SCBWI's who didn't get into the UV anthologies have become successfully published and soon-to-be published authors anyway.... Paula Harrison, Teri Terry, Christina Banach and many more... please feel free to add your names in the comments below to console us non-longlisters! It's a brilliant opportunity and lives will be changed - but it's not the only opportunity!



Slug back the champers and congratulate the following 27 longlisted writers!

Emma Bayley
Kathryn Leigh Berry 
Christian Colussi 
Sarah Dalkin 
Rachel Davison 
Shirley-Anne McMillan 
Karen Moore 
Joanne Romand 
Bronwen Roscoe 
Susan Sandercock 



Now dig into a fat slice of cake and celebrate these eight longlisted illustrators!

Maika G. Montava
Julia Walther 

Let's wish them luck for January! 

If you're on the longlist and would like us to profile you in January in Celebrations, please email celebrations@britishscbwi.org with a photo, a brief bio, and a few words on your feelings about making the UV longlist.



Tania Tay is an ex-advertising copywriter and has been published in Sable LitMag. She is currently writing a YA romantic thriller, and is on the editorial team at Words & Pictures.